Your Vibe Attracts Your Tribe–the Beat Abides!


In the beginning there was silence.  Then came the big beat that some call the bang—intense vibration, energy, rhythm–sustained and steady. Since time began, that cosmic beat has remained through creation, war and turmoil, joy and transformation, chaos and dislocation–an ancient universal messenger keeping memory and hope alive across countless generations and cultures on Earth.  And one beat of a drum opened a doorway of awareness for a young man who had just stepped out of the gates of incarceration.

It was 1998 and five of us were sitting around a low table in the little office space on Second Street that was assigned to a Santa Fe, New Mexico community corrections program. Three of the group were on probation from juvenile court.  One of us was an Indigenous American woman named Sapokniona, White Feather Grandmother.  One of us was me.  All had drums in our hands. The faces of the two young men and one young woman on probation look bored or irritated and seemed to say, “OK, let’s get this over.”  Sapokniona spoke gently, quietly, with what felt like reassuring confidence.

I had been asked to present some of my studies in cross cultural earth related traditions to these youth who were considered “high risk” having had numerous run-ins with the law. But when I got the go ahead, I puzzled about how to offer my experiences and studies to some who might not be remotely interested.  I had a Master’s degree in criminal justice, had been a juvenile probation officer, worked part time in a Colorado youth prison and served a year as a counselor in an Army jail where the word “counselor” was an anathema, so I had some reason to wonder about what to present.

In the middle of my muddle came the thought: drums.  Drumming was physical and could be energetic and noisy and an attention getter.  Local drummer Eric Gent kindly loaned his drums. Eric and his wife Elise had sponsored African dance sessions in Santa Fe for decades. Then I thought of Sapokniona, an acquaintance of Apache heritage who led teaching circles, ceremony, workshops and retreats that included work with veterans’ groups. She kindly agreed to lead the group of youth that day.

“I want each of us to play one single beat, in unison,” Sapokniona said.  I was expecting something a lot louder and more physical, but went along with it, as did the others.  One beat at a time, like the steady rhythm of a pulsing heart. Each hand with a beater rising then falling on the face of the drum. First softer, then louder, then softer, then it was over.  We went around the table to talk about the experience.  It came to one young man who looked confused, withdrawn. He hesitated.

Finally, he said, “When I closed my eyes for a while, I saw a bear.”


“Well,” Sapokniona paused, then responded.  “My people believe that the bear represents the direction of the west.  And you are sitting in that direction.  I’m not surprised.”  But the rest of us were, including the young man whose face lightened a bit, almost into a smile.

The beat abides—your vibe attracts your tribe.

To my understanding, some Indigenous Americans view the strength of “bear medicine” as the power of introspection.  Bear seeks honey, like the sweetness of truth and intuition inside the silent “cave” of mind and soul.  Think of Merlin in his crystal cave.  In India, the cave symbolizes the creative energy of Brahma which some consider to be the pineal gland located at the base of the brain.

As I wrote these words on an early March morning in 2017, the first rays of sun touched my table, the computer, my hands, the photographs of the family “rogue’s gallery” above on the wall.  I stopped for a moment to listen to the “sounds of silence” around me:  the light twinkle of water in the nearby fountain, the low burbling beating of the humidifier releasing wispy curls of steam, the drone of the refrigerator, the rumbling beat of the attic heater and then…the percussive tapping of typing on the laptop with punctuations, rests, faster and slower rhythms…an opus magnum.

I thought again about the young man in the drum circle who had just stepped through the gates of incarceration. Something happened for him that day that couldn’t be put into words. His eyes got a little wider and there was something like a smile.  Maybe the world, too, got just a bit wider with wonder and possibility for him and for all of us in the group, drumming that one beat together.

Did it make a lasting difference in his life in some way?  I don’t know. But my thought and hope echo Ann Mortifee’s song, “Just One Voice”

A single note becomes a song,

            A single tree becomes a forest.

            A single voice that’s clear and strong

            Can turn into a worldwide chorus.

            Just one voice, one single voice,

            If you say you can, well then you can!

The Native American drum first found its way into my hands in 1982 soon after I arrived in New Mexico. It still does in 2024 after hosting monthly full moon leaderless drum circles in my home for nearly 25 years. In the posts to follow, I’ll share some of my journey with the drum.  If you haven’t picked up a drum to try it out, do so!  It’s a universal, worldwide instrument.  Your vibe will attract your tribe.  Have fun!


A Voice in the Clouds

It was an overcast day, the gray clouds mirroring my mood from the news I had just received early that morning.  My mother called from Kansas to tell me that her father, Grandpa Wallace Fleming, had just passed on.  As I lay in bed gazing out the window at the colorless clouds thinking of him, a perfectly circular opening appeared in the gloom through which I could see brilliant blue sky.  At that moment I seemed to hear grandpa speaking to me and telling me he had “made it over” and all was well.

Maywood Community Church, Kansas where Grandpa Fleming attended.

It was March, 1978 and I was living in Boulder, Colorado serving as a juvenile probation officer and working on my Master’s degree in Public Administration with specialization in criminal justice.  In August of 1981 after I moved to New Mexico, I visited the Millicent Rogers Museum in Taos which had an impressive collection of Native American and Hispanic art and artifacts.

I was drawn to a particular Hopi pot and discovered quite to my surprise a depiction of what were said were “spirit holes”–circular openings in the clouds through which the spirits pass through.  In total amazement, I realized  that my personal experience was not singular and indeed was confirmed by at least one other culture, in this case the Hopi Pueblo people of Arizona.

From a strictly meteorological point of view, there are some possible scientific explanations: and   I have been told by Indigenous Pueblo people where I live in New Mexico that they traditionally believe  moisture from the clouds in the form of rain, snow, etc. is the ancestors coming to visit. If you think about it, when we pass on, the moisture which comprises nearly 70% of the adult human body, evaporates into the atmosphere and to some degree becomes part of the life cycle that includes the formation of clouds. Maybe that “some degree” also carries the voice and spirit of the ancestors.

In any case, that day in Boulder I am certain the voice and spirit of my own ancestor Grandpa Fleming spoke through the perfect circle in the clouds, letting me know he’d made a happy landing.




Sometimes you do what you need to do without knowing what you need to do. That was the case on a blisteringly hot summer day in Santa Fe in 1995.  Temperatures were over 100 and we had been suffering from a long dry spell with no relief in sight.  Not a single cloud in the sky for weeks. It was part of an unprecedented heat wave in midwestern U.S. states during which 3,000 people died, 750 in Chicago alone.

I was living at 1710 Upper Canyon Road in an historic but crumbling adobe rental that had all the rough charm I could have ever wanted.  The first Archbishop of Santa Fe, Lamy, was listed as the original property owner, but the rugged remoteness of the earthen cabin two miles from the downtown Cathedral might have made the place more of a retreat house than a primary residence.  1710 Upper Canyon Rd #B, Santa Fe, NM 87501 | ZillowThe fireplace was almost big enough to put whole trees in it, or so it seemed to me.  There were cracks in the wood plank flooring and cracks around the weathered window frames where the adobe plaster was splintering.  One day as I sat at the kitchen table with my dear black cat Mona on my lap, a chunk of wall fell out, hitting me on the forehead and narrowly missing Mona.  As I sat motionless and stunned, a small dribble of blood began to snake down my face. (The photo above is from a realtor’s page after the little adobe I lived in was bought and expanded dramatically.)

But I loved the place, and it loved me back.  It was a dream come true–living by an acequia (irrigation canal) next to the Santa Fe National Forest, dark night skies filled with an amazing quilt of sparkling stars and quiet.  Many gatherings of friends and welcome strangers took place there over the years–drum circles, counseling and massage therapy sessions, music making, tipi ceremonies and prayers for peace and well-being.  The adobe walls were thick and on hot days, a welcome relief to the relentless sun and heat outside. On cold days it was hard to stay warm even though I covered the widows with thick plastic sheeting and fashioned my Grandma Fleming’s wool blankets into curtains.

On this particular day I had agreed to give a massage to an NMAS client who was now at my door.  I was a volunteer massage therapist for the New Mexico AIDS Services program, serving people with HIV and AIDS as well as their caregivers and families.  Before starting the session, I said to my client, “Rocky, I feel like I need to go outside and call the rain.”  He looked at me puzzledly but joined me on the patio.  “What are we supposed to do?” he asked.  I had no idea, but I did bring what is called a “rainstick,” thinking that might help in some way.

A rainstick is a long, hollow tube partially filled with small pebbles or beans that has small pins or thorns arranged on its inside surface.  When the stick is upended, the pebbles fall to the other end of the tube, making a sound reminiscent of rain falling. The rainstick is believed to have been invented by the Mapuches of Chile and was played in the belief it could bring about rainstorms. It was also found on the Chilean coasts, though it is not certain if it was made by the Incas. Rainsticks are usually made from any of several species of cactus. The cacti, which are hollow, are dried in the sun. The spines are removed, then driven into the cactus like nails. Pebbles or other small objects are placed inside the rainstick, and the ends are sealed. A sound like falling water is made when the rainstick has its direction changed to a vertical position. Although it was thought to have been invented in Chile, many similar instruments can also be found in Southeast Asia, Australia and Africa, where it is often made using bamboo rather than dried cactus. Indigenous peoples of the Southwest use gourd rattles and other instruments in a similar ceremonial fashion.

For some reason, I lifted my rain stick to the sky and turned it to face the full intensity of the sun.  As I turned the stick, pebbles gently creating the sound of water flowing, I asked the sun for its help in bringing rain.  Pretty counter intuitive it seemed. It was Rocky’s turn to do what he thought best, then we both went inside for the therapy session.

Just as we began the massage, I thought I saw a brief dimming of light outdoors.  Then again.  I looked and there were a few clouds, the first in many weeks.  That evening there was a wonderful rainstorm bringing much needed relief.  Needless to say, I was dancing in the rain for joy.

Annie Kahn

Some days later, I spoke to a Dinè (Navajo) elder friend by phone.  Annie Kahn had hosted a number of Earth Walks journeys at her hogan in Lukachukai, Arizona and I had great respect and love for this dear person who shared her wisdom with so many others.

“Annie, do you think I kind of maybe smelled or sensed the rain coming that caused me to go outside and do the rain prayer?” I asked.

I could see her shaking her finger at me in her good-natured grandmotherly way.  “It sounds like you are having trouble accepting responsibility for what you did.  More people should be doing this!”

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Grandmother Spider’s Web

We are the weavers, we are the web

We are the flow, we are the ebb

                                               —Shekkinah Mountainwater

She hid herself as quickly as she could.  The hulking figure was walking directly towards her and she knew what had happened to so many others of her family in a similar situation–a horrible death.  Crouching in the shadows she waited for what was to come next. But in her wildest imagination, she could not have guessed what did come next.

“It’s OK, I’m not going to hurt you. You can come out,” I said quietly as I gently knocked on the window frame where the spider had hidden when she saw me walking towards her.

To tell the truth, I was lonely.  Coming from a middle-class family, I was finding it hard to relate to the uber wealthy students at the University of Denver where I attended in 1971.  They stepped out of their Lamborghinis with designer jeans that cost more due to the intentional holes in the knees. I stepped down from a used VW bus to get to my clerical work study job at the history department office.

This particular night in my basement apartment I felt especially lonely. When I spied a spider on the wall near the window, I thought, “Maybe here’s someone I can talk with.”

Little did I know how right I was.

As I walked towards the spider, she saw me too and quickly retreated under the window frame, fearing the worst.  Many people smash spiders when they are in their home, maybe out of fear of the unfamiliar, unknown—the “other.”  With some, their fear gets out of hand and they feel uneasy in any area they believe could harbor spiders or might have a web.  Some people scream, cry, have emotional outbursts, experience trouble breathing or go into panic attacks.  We’re talking extreme arachnophobia, and in some cases, even a realistic picture or drawing of a spider can trigger intense anxiety.

“It’s OK, I’m not going to hurt you,” I repeated to my little hidden arachnid.

Well, if I haven’t lost you at this point, perhaps you’ll believe what happened next:  First one little leg emerged, then another and another until she was fully out on the wall.  “Hungry,” came to my mind.  I searched the nearly empty college student fridge, brought back yoghurt and put a drop of it on the wall—which the spider moved up to and ate.  A few days later, she traveled on.

I traveled on, too, was drafted out of graduate school into the Army during the latter days of the Vietnam War, went back to Denver after my discharge, entered graduate school at the University of Colorado and eventually moved to Santa Fe, New Mexico from Boulder.  One day, in 1980 in the Chupadero Valley north of Santa Fe where I was living, I felt I was being watched while showering.  Looking up, I noticed a black spider had come out of the plumbing. I wasn’t too concerned as she was busy working on her web and enjoying a bit of steam bath at the same time. This went on for months until spring solstice 1981 when I sadly found her lifeless body belly up on the shower floor.  And as I suspected, there was an orange hourglass on that belly. A Black Widow spider.

Spiders kept showing up around me. In 1984 at the Hopi Mesas of Arizona I was helping guide a tour for the Wheelwright Museum of Santa Fe as the new director of public information.  Waiting for the tour group to assemble after breakfast one cold and breezy morning, I took a short walk to the edge of the mesa.  Here I was 300 feet above the desert floor on a dry wind-swept mesa but from somewhere I heard a small drip of water.   I gazed out at the valley below and the sacred San Francisco peaks in the distance.  It was a profound moment that I expressed in these words, called “Over the Hill”:


 the wind pushed me

 over the rock ledge

 and down to the lair of Grandmother Spider

Water dripped like

  grains of sand,

     like time itself into

 the pool of time again. 

Here, where sky meets


       Man met something

  not quite understood. 

In the mystery,

   in the majesty,

      where stones speak

   words unutterable, 

A breath,

  a new beginning,

 a step into the unknown. 

“You’ve been over the hill,”

  He said, his suglassed

  eyes narrowing in scope,

     wide with knowing. 

“Yes,” I said.

   “I have.”

As the museum tour progressed, I noticed homes with a black spider painted over doors and later learned about Grandmother Spider who stories say wove the web of Creation for First Man and First Woman.  I learned that some Indigenous Americans thought the spider protected against danger from natural phenomena.

In Hindu mythology, the little arachnid represented the weaver of magic and destiny.  Egyptians saw her as an attribute of Neith, a creator of the world and to the Romans she was as omen of good luck.  But when it came to Christianity, both spider and snake didn’t fare so well, as they represented the Devil ensnaring sinners.  No matter the view, it was a lot of responsibility for such a small creature.

Small but powerful.  Spider silk is stronger than steel and tougher than Kevlar pound for pound. Their web is one of the most dramatic examples of perfect geometry in the natural world and such a successful invention that it has remained essentially unchanged for 140 million years.  Recent research has shown that the webs actually strengthen after they are slightly damaged. According to scientists, spiders are antisocial arachnids who want to be left alone.  Maybe so, but the spiders I kept meeting were friendly, even helpful.

In May 1986, I found myself resting upon a pink granite boulder above the Randall Davey Audubon Center in the upper Santa Fe canyon area. I was quiet, enjoying a meditative moment. As I looked down at the trickle of water flowing below, I saw something next to it that looked like a stone, but not quite.  Curious, I climbed off the boulder for a closer look and discovered it was a weathered turtle shell. What are the chances of that in this area I wondered to myself. As I approached, spiders on either side of the shell seem to be guarding it, even offering it to me. They withdrew as I got closer.  Astonished at what was happening, I accepted the shell as a gift and later it became the receptacle for the pennies I use with the Chinese I Ching system of divination.

Grandmother Spider kept weaving my story web ever larger.  Nearly 20 years later in February 1997, I was fortunate to witness the Snake Ceremonies at Hopi Second Mesa. I also visited the home and studio of artist Ross Joseyesva Jr. who had served as a guide for an Institute of Noetic Sciences group I led in the Southwest a number of years before.

I was seeking a new watch band made by a local Southwestern artist, and I stopped in to say hello and see Ross’ jewelry work.  After a pleasant catch-up conversation, we went to the studio and looked through his portfolio.  As he turned a page, I spotted a design with spider.

“That’s the one,” I exclaimed, and began to relate my spider tales. He listened quietly and then said, “You are a friend of the spider.  I’ll put the friendship sign on the design.”  It just so happened that Ross’ studio was within sight of a shrine for the Spider Klan. I ordered the watchband without making a deposit or pre-payment.

Weeks went by and the watch band went to the back of my mind as I got busy planning an Earth Walks overnight event at the home and weaving studio of Max Cordova in the Truchas foothills above Chimayo north of Santa Fe.  The Cordova studio and residence sits on a spectacular finger of high-country land overlooking the village of Cordova and a wide circle of sky, mountain ranges and the Rio Grande Valley.

It was summer solstice, June 21, 1997 and full moon, an auspicious convergence. Participants included Max and his family, 77-year-old curandera (healer) May Delgado and other elders from the area who dropped by to visit as well as a five-year-old boy named James who was wise beyond his years. And it seemed to me that Grandmother Spider showed up as well.

James and Gary at Earth Walks in Truchas, NM


As the group gathered, little James stood tall atop a green plastic chair facing the immensity of desert and mountains to the west.  In his hands, stones were speaking through him to us, this weekend gathering of our Earth Walks vecinos–compadres y comadres, tios y tias–friends and family new and old.

James held a small stone in his young hands. “Now pass this stone from person to person,” James instructed.  Stone passed, hearts opened, the breeze blew and the earth turned a bit more in its dance on this our second Earth Walks for people living with HIV, their care givers, friends and family.   We camped out on the land, full moon sailing silently over the majestic Truchas peaks, some still white with winter snow, silently standing sentinel above us. 

At the loom during Truchas, NM EarthWalks

“Just do the weaving and don’t think about it much,” Max advised, when the next day we all tried our hand at his looms, looms that over the years had created an abundance of beautiful tapestries.  As I began to run the shuttle, mental distractions and random thoughts cris-crossed my mind.  My shuttle got tangled in the threads like a fly in a web, and like the fly, my mind got tangled up too.

“Just keep it simple,” I told myself as I finally extracted the shuttle from the threads.  This was a lot like other times in my life, trying to do too much in too little time. It seemed as if Grandmother Spider was telling me to slow down, have some patience and get my conscious mind out of the way of the creation.  And I did.  At least a little, enough to see some of what Max was talking about.

Hopi watchband with spider and friendship symbol

It didn’t dawn on me until 2017 while writing this story that there was an amazing pattern weaving itself all around me during the Earth Walks, like a spider web of balance and beauty. Just the day before our visit to the weaving studio in Truchas, my spider watch band arrived in the mail from Ross.  Fortuitous timing, on a full moon summer solstice.  I hadn’t made any payment to Ross. He simply sent it when it was finished in an act of trust and friendship. 

That act of trust spiraled back 40 years to the trust a spider at the window and I had one lonely night during graduate school.   All my web of relationships with spiders over the years has woven sacred strands of kinship between me and the natural world.  I know now without a doubt if I get into a basement of loneliness again, I’ll be sure to have yoghurt on hand and look for one of God’s little eight-legged children.


Chaco Canyon, New Mexico: “Tasting Forever”

Early morning, November 11, 1980 and the Chaco Canyon visitors’ center was not yet open.  I sat in my car waiting.  And watching.  Watching a meditation in movement unfold in front of me on my first visit–more like a pilgrimage–to Chaco Canyon National Historical Park.  A man was slowly, methodically and silently sweeping the entrance sidewalk, starting from one side and carefully making his way to the other.  Not with a store-bought broom, but rather one that was handmade from brush and plants gathered in the area.  Unlike me, the man was not in a hurry.  He was slightly leaning, intent on each sweep of the broom, each passage down the sidewalk like a reverent monk at a Buddhist temple.  There was no one else but us around in the silence save for we two and the early morning birds, unseen insects and other life forms waking up to the day.  Deep breath, palms together, I bowed as Chaco greeted me, conveying a message and an image that I would carry with me with on numerous visits in the coming decades.

Chaco Canyon, a major center of ancestral Pueblo culture between 850 and 1250, was a focus for ceremonial, trade and political activity.  It is remarkable for its monumental public buildings and distinctive architecture, the most exceptional concentration of pueblos and ancient ruins north of Mexico. Chaco is a great mystery play whose actors are the stars, sun, moon, the land and imagination and spirit of those who have made their way here over millennia. Both solar and lunar cycles were integrated into the architecture and huge building sites were in alignment with each other over many miles. Great straight roads radiated out from the center of the canyon to distant outlying settlements.


Many of the Indigenous people who guide Earth Walks groups consider Chaco as their ancestral home and approach the canyon with the respect that one has for a wise elder in the family.  I am one of the countless thousands who feel an inexplicable kinship here as well.  Over the more than 30 years of personal visits and leading Earth Walks groups to Chaco, my experiences have been unexpected and surprising, healing and transformational.  I share some of these in the experiences that follow.


August 15, 1986:  I walked alone on a mesa ledge in Chaco Canyon 300 feet above the huge pueblo complex called Pueblo Bonito. To get here wasn’t easy:  a long winding trail from the parking area below, then a climb up a steep and narrow trail up through a slit in the sandstone mesa and still more walking.   It took time and lots of effort but I needed to get up and out to view the vast open expanse of land and sky for inspiration and a break from my recurrent anxieties about income and loneliness. Those issues were oddly alternating with a deep feeling of abundance and contentment, issues I found reflected in this Chaco environment of sparse water, harsh climate and immense inspiration.

The winds of the canyon were just a gentle zephyr during my walk.  Birds chirped from the cliffs around me. I heard my footfall step by step on the bare sandstone trail amidst the quiet of the canyon. I was walking a trail used hundreds of years ago by thousands of ancestral Pueblo people coming to this Center Place of the Chaco world.  They traveled on constructed roads that radiated out in all directions, traversing a landscape barren of trees and water. The roads were wide and straight like highways leading sometimes to an identifiable goal, sometimes not.  Huge earthen ramps were constructed when the road met a steep cliff.

I was not thinking about much, just enjoying the walk when the unexpected occurred.  My long-deceased cousin Janis Hammer appeared in my mind.  I had not thought much about her in recent years, even though she and I were the same age and were inseparable playmates. I didn’t have a sister and she was an only child so when we were together, which was often, we had wonderful fun. Janis died instantly in a car accident in which my brother was driving in El Paso.  My brother was not at fault, and he almost died also because of the accident.  I was deeply stunned at her loss and refused, as I recalled, to get out of the car to attend graveside services. I remembered sitting in my parents’ home after Janis’ death, not speaking, not crying, just being silent. Perhaps I never mourned her loss, not wanting to feel the pain of loss of someone so dear.  Perhaps as a teenager I did not know how to grieve.

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Now, over 30 years later, in the remote desert of Chaco Canyon, Janis as a woman my own age came into clear inner view.  Tears welled up in my eyes as I realized I indeed had never accepted her death. Overcome with emotion, I stopped walking, and turned to face an opening across the canyon called the South Gap. Through the space between the canyon walls, I could see an almost limitless horizon.  And in the midst of the morning, surrounded by the unseen ancient ones of this place as witnesses and guides, I released Janis and her spirit to go where it needed to go.  And I was freed as well to walk my path with my load a little lighter.

It was only later I learned that archaeologists discovered a huge mound of broken pottery on the north facing side of the site called Pueblo Alto where I walked.  They speculated that Pueblo pilgrims would travel a long arduous journey across the dry desert land, ritually breaking their potteries perhaps as a symbol of releasing not just physical burdens but inner ones as well.  On this day of arrival at Chaco, I joined with those ancient ones and did the same.


“Tasting Forever” with Thanks to Simon Ortiz

September 23, 1991:  During my twelve years of living in New Mexico at the time, Chaco Canyon had drawn me like a magnet. I felt a sense of mystery, wonder and timelessness just in just hearing the name for the first time. On this day I was at Chaco to join friend Charles Bensinger and Guatemalan spiritual leader Don Alejandro in a prayer ceremony to observe a fall equinox phenomena interplay between the sun and ancient manmade structures.

But darn it!  I had a persistent pain in my stomach that began even before I arrived at Chaco. Was the pain physical, emotional or both?  It had been a difficult year on many levels.  In January President George Bush declared war on Iraq.  Iraqi leader Sadam Hussein deliberately set oil wells on fire in the Persian Gulf creating a huge environmental disaster.  In the Soviet Union, repression rose after a hopeful year of incipient democracy.  The U.S. economy was in serious trouble.  On the personal side, a close relative entered a hospital psychiatric ward, plagued with inner demons of doubt, paranoia and depression. A romantic relationship I was in for several years ended.  The biggest blow was the death of my mother. Maybe coming to the canyon today was not only to attend the equinox ceremony but to find solace and some relief from the stomach pain as well as the pains of this world.

I drove here alone, something that always helped me unwind from my daily routines, responsibilities and anxieties at home.  Turning off the well paved U.S. Highway 550 was a step in slowing down because the next 13 miles were rough and narrow, some of it impassable if wet.  The windswept landscape was bone dry, with only sparse sagebrush, cactus and occasional juniper trees dotting the horizon.  Yet this was the desert environment I had lived in most of my life that made me conscious in a way a more lush, wet world did not.  The sound of a single bird singing, a drop of rain or trickle of water, the flash and wiggle of a lizard tail–here in the desert they reminded me not to take life for granted–all my thoughts and actions were consequential.

At the campground I set up tent and gear, checked in at the visitor center and headed out into the canyon for a first walkabout, which I decided would be the high mesa ledge overlooking the massive ancient site of Pueblo Bonito.  Getting there involved a long walk and a tricky climb 150 feet up through a narrow slit in the sandstone walls. All the while, there was a persistent and painfully persistent jabbing in my stomach.  Pain or no pain, though, I was not going to miss out on this time in Chaco.

I clawed my way up and onto the mesa ledge and emerged onto the sandstone ledge like a newborn baby who has struggled his way out through the birth canal.  It was afternoon and the light was as mild as the temperature. From the ledge I could see much of the canyon below and miles in the distance beyond.  The mesa ravines supported wiry bunch grass, cliff roses wafting an occasional sweet fragrance, an array of desert wild flowers and Apache plumes now fluffy with seed pods illuminated like bright lights in the late afternoon light. Rocky erosional pathways were exposed like large veins in a human hand. Mysterious circular holes in the sandstone ledge looked human made and left me wondering about who, what and when.

This was the path of the ancients I trod, the route so many walked by foot for hundreds of miles to the Center Place, this canyon where thousands of rooms in ancient pueblo buildings had been carefully constructed in alignment with heavenly cycles of sun, moon and stars. I wondered if I was part of an ongoing drama, coming here to help find my own center place to ground myself in my daily life. There was a digital world wide web where I spent many waking hours connecting to others electronically, but where was that center place where I could rest and find relief in the sacredness of the everyday?  Chaco Canyon had been one such physical place for me over the years, a place of vast silence that evoked in me a sense of the awesome interconnectedness of all.

As I walked, breathing in the morning silence, I noticed a bit of crumbling red sandstone on the trail, and wondered if it might have served as paint for the exquisite Chaco pottery made hundreds of years ago.  Kneeling down, I wet it with saliva on my index finger to determine the color and texture; then without thinking, licked the red earth again, like licking the sweet batter on my mother’s spatula at home when she was baking a cake. It was rough, sandy and not at all like cake batter.  But for some inexplicable reason I repeated the procedure.  More licks of the earth batter.  Within minutes, my stomach pain vanished.  How?  Why?  I had no explanation, but a poet once said, “Sometimes the most important thing is the most inarticulate.”

Native American Acoma Pueblo poet Simon Ortiz, expresses it this way in his poem “Canyon de Chelly”:

Lie on your back on stone

The stone carved to fit

The shape of yourself.

My son is near me.

He sits and turns on his butt
and crawls over to stones,
picks one up and holds it,
and then puts it in his mouth.
The taste of stone.
What is it but stone,
the earth in your mouth.
You, son, are tasting forever.

At that moment I became part of the place and was given a gift from the canyon.  That night, another gift: I drifted to sleep to the sound of drumming and chants nearby in the campground.  Then a dream:  I watched a man (was it me?) ceremonially offer cornmeal to people gathered in a circle, inviting them to volunteer their service in some way. I awoke during the night just as a waning moon rose above canyon walls–orange-gold, beautiful, complete silence in the campground.  Later that night I drowsily awakened again under a blanket of infinite stars and watched a meteor trail across the vast canopy. I thought:  “This is why I come to Chaco.  To reconnect with my home in the stars.”  Then, an even larger meteor blazes across the darkness, as if to answer, “yes.”

After breakfast, I joined Guatemalan elder Don Alejandro for teachings on that fall equinox day.  His words of wisdom still ring in my heart, as true to me today as they were then:  What are you doing here?  Why am I here?  Each one of us, we travel to different parts of the world.  But what are we looking for?  We are looking for love and understanding among all beings that inhabit the Earth.  We are searching for something in our minds for what we can do to defend Mother Earth.” 


May 23, 2007:  I sat and shed tears of sorrow, shame…for what I was not sure.  I was working for the Santa Fe Public Schools as the emergency management and crisis response director and for the second year in a row had applied to the U.S. Department of Education for a large grant to bring our schools up to national standards.  I knew it was well written and worthy of funding….and I also knew I failed to include a required sheet of paper that could result in rejection.  It was too late to add the missing paper and I had to mail the proposal. I felt I had let down the schools, my community, state, the world!  Maybe this was not the work I should be doing, I agonized.  And yet, as I drove from the post office in abject sorrow, I prayed:  I need, and this application needs, a miracle to survive the heartless, objective “bean counters” at the federal level.  Just at that moment a CD in my car that had been stuck for days in the player began to play.  The speaker on the recording was saying that ALL of us make mistakes and God loves us no matter what our mistakes.  I took it as a sign that perhaps a miracle could happen for the grant application.  But–and a big but it was–I was still ashamed of my oversight of the missing piece of paper and was not forgiving myself. 

Two days later I arrived at Chaco Canyon to a spectacular technicolor sunset.  I was on a solo trip planned weeks before, but I didn’t know then how much I would need this time alone.  Others wanted to come but no one could.  Perhaps I was supposed to be here on my own to find some peace and comfort from the grant application ordeal.

The first morning I climbed the trail to a mesa above the campground for a sunrise meditation and read the words of East Indian spiritual leader Paramahansa Yogananda from an article entitled “Ridding Yourself of Worries:”  “Worry takes time and energy.  Use your mind instead to make some positive effort…every time you worry you put on a mental brake and in struggling against that resistance you place a strain on your heart and mind…remember there is someone on this earth suffering 100 times more than you are…if you do your best, God will reach down his hand to help you….”  Good advice, but my mind still had the brakes on, preoccupied with the grant application.

Casa Rinconada

Late afternoon I headed out for a walk from the monumental kiva (underground ceremonial structure) of Casa Rinconada on the south side of the canyon.  At this site almost 20 years ago I experienced the awesome mystery of Chaco.  I was guiding a group from the Institute of Noetic Sciences and though it had begun to snow, many of us happily hopped off the van and up the trail to Casa Rinconada.  We were able to sit inside the huge kiva on low lying walls rimming the circular structure and take a few moments of quiet, despite the swirling snowflakes and chilling wind.  My eyes were closed in meditation when something inexplicable occurred.  First, my inner vision filled with a bright golden light.  Then I felt a warm glow flow within and around me.  As soon as it came, it left and I opened my eyes and led the group back to the waiting van.

That night the others who had sat in the kiva shared that they too had the same experience as I did.  Just a fluke occurrence?  A collective delusion?  Casa Rinconada was for hundreds of years was likely filled with prayers for rain and sustenance. Community gatherings offered songs to thank the gods for corn and crops.  As it seems today in Pueblo life, prayers probably invoked the guiding presence of unseen spirits. Chaco is a thief of time, a place that marks the passage of time in its celestial architectural alignments and a place where all of time is present in the moment. I believe that our group was in the inexplicable presence of the ancient ones in that kiva “snowbowl,” an invisible presence that could not be spoken, paraphrased or translated into any language. In “The Little Prince,” St. Exupery said it this way:  “What is invisible to the eye is truly important.  It is with the heart that we truly see.”

It was from this great kiva where I began my solitary walk this late spring afternoon.  At least two major roads perhaps a thousand years old connect to the site from places many miles distant.  The little trail I followed went around the mesa through a large opening called the South Gap. It was just me and the raucous ravens, an occasional scuttling lizard and the wind whipping itself into a drumbeat in my ears.  I gathered a few fresh spring sagebrush branches to make prayer bundles for friends, and inhaled a deep awakening breath of the fresh pungent aroma.  At the mesa I ascended a zig zag trail up the side.  I had been here before, but this time the going was slower, the trail up seemed steeper.  I was carrying more than my little day pack.  I carried an emotional burden of shame and sorrow from the woes of my grant application.

Eventually I was on top of the mesa, a windswept sandstone saddle.  It was a stunning view to western horizon–perhaps thousands of acres of red-orange globe mallow plants in bloom, glowing brightly from late afternoon sunlight like a red ocean with an interplay of light and clouds–grey, blues, whites amidst the rest of the spring green landscape.  The panorama was vast, bordered by the Chuska and Lukachukai Mountains 50 miles to the west.  As I gazed quietly at the oceanic desert spectacle, a dream from long ago came back to me:  In the dream I was standing cliffside by the ocean as a truly wise person next to me motioned with his arm sweeping from one side of the horizon to the other, saying, “THIS is who you TRULY are!”  Now at this moment in this reality, from the heart of Chaco to my own heart, I heard within myself these words:

“You are NOT a piece of paper nor a job description, not a human doing.  You are a human becoming, perfect in his imperfection!”

Awestruck, I backed away up the mesa from one step at a time, keeping the view to the west in a solid gaze.  Up the trail, over rocks, ledges, tree roots one step at a time, backwards.  Then awe became celebration as I cried in joy, hopped, skipped and jumped realizing that the self-imposed burden of my week’s disappointment regarding the grant application had been lifted.  I realized that the grant application was just the apparent source of my distress.  Down deeper it was internal issues of feeling “I am not enough” or “I should be doing better.”  But “better” was never enough.  Now, thanks to the “spirit of place” and Chaco Canyon, I knew that no matter the outcome of the grant, I was heading home, a “human becoming” more whole and happier.

The application was not approved.  But the next year, on my third try, we secured $250,000 to do the much-needed emergency preparedness work for Santa Fe Public Schools.


August 10, 2012:  I was on another personal retreat at Chaco Canyon.  I tried to come in June, but was stopped in my tracks when my home was broken into. That day I returned home to pack up and leave for the trip.  Entering the house, I saw the patio door curtains blowing a bit in the breeze and thought, “I left the door open while I was away on errands.”  Then I saw the shattered shards of glass and the large rock hurled through the double pane door scattered on the floor. My plans for Chaco were shattered as well.  It took over a week and hundreds of dollars to get a new glass door from the Colorado manufacturer.

That whole year had been a tough time personally and also in my community and the nation. Just like the rising hot temperatures, burglary rates were skyrocketing in Santa Fe.   Fires raged throughout the western U.S. and Denver set record high temperatures. A fire near Colorado Springs consumed over 300 homes. The mid-Atlantic states sweltered under a record breaking 104 degrees and Washington, D.C. declared a state of emergency due to huge damaging winds.  Close to home, my kitty companion of nearly 20 years was not eating much and was uncharacteristically staying outdoors a good deal of the time.  It was possible that she had a failing kidney.

So, this solo sojourn to Chaco was a needed retreat.  I started the day at Socorro Herrera’s Cafe in Medanales north of Espanola, enjoying breakfast with Tio Manzanares. Tio and my path crossed at Ghost Ranch Presbyterian Conference Center in the early 1990’s where I was teaching a retreat called “Earth Walks: The Spirit of Place.”  He was giving talks to Elder Hostel groups, mostly about his time working for 12 years as a young man for artist Georgia O’Keefe.  At a meal together in the Ghost Ranch dining hall, I quickly learned that he had much more to share than just his tales with the famous “Miss O’Keefe” as he called her.   His stories of artists, aliens and angels left me alternately spellbound, skeptical or rolling in laughter but always I felt the good-hearted nature of this man who had spent most of his life in the Abiquiu area north of Santa Fe.

It was hard work, but for much of his life Tio was a stone mason, building walls and other structures in the nearby villages.  That meant collecting lots of stones–8.900 truckloads to be exact, wearing out 42 trucks over the years from 1972-1994, he said.  Seems like he had collected as many stories as stones, but he was given some advice about stone collecting that could well apply to storytelling.

“Tio” Manzanares

“An Indian friend told me that some of the stones were not supposed to move from their spot,” Tio shared.  “First I thought a rock doesn’t have any understanding.  Then sometimes my truck would break down for some reason.  Once I caught on and figured out that those stones were not intended to move, I didn’t have a problem. And the rocks were gentler to me.  I didn’t smash my fingers as often and I could move the stones more easily.”

On one occasion his truck did break down on a late winter afternoon in an isolated arroyo where he’d been traveling. Light was fading and so was the temperature.  It was far from home and Tio was worried about what to do.  For a minute, he thought he heard sounds of a car.  Climbing the hill above he saw headlights heading towards him.  The car shortly arrived and a man stepped out, asking if Tio needed help.

“Who are you?  Where did you come from?” asked Tio, totally mystified at the stranger who appeared seemingly out of nowhere.

“I’m just helping out people who get stranded,” he replied.  “And I’m from a place you wouldn’t even know about.” With that, the man went to his car and pulled out the exact tools and parts needed to fix Tio’s truck, parts that would have required a trip into town to purchase.

“Maybe that stranger who helped me on the road was Saint Jude,” Tio mused.  Towards the end of his stonemason career, Tio smashed his hand severely and he cried out to Saint Jude in pain, “If you think you can change my life, do it!” Saint Jude is the patron of hopeless causes and despair. In a week Tio had a new job and quit the stone mason business.  Ever after, he kept a lighted candle at the foot of his Saint Jude statue. In any case, after the truck was repaired, the man got into his car, backed up, turned around and left.  Tio quickly climbed the small hill again to watch him leave…but there was no sign nor sound of a car in any direction.

Tio and I were about done with the breakfast of good and hot New Mexico huevos rancheros (spicy red and green chili–I always ask for “Christmas”) when Socorro, who managed the cafe stopped by with the check and a smile.  She and Tio were mariachi singers and musicians “back in the day,” and it was a delight to see them recount those times.  Tio said she was an award-winning diva of northern New Mexico songs. Socorro had her own stories to tell, some of them filled with the flutter of angels’ wings and miracles.

One day she was in the cafe early, preparing a huge catered meal order.  It was just her alone, without staff help that day, and the clock was ticking.  This was a big deal order, which could lead to much more needed business.  But how was she to get it all done in time?  The answer to that was doing the thing she knew best: prayer.  She walked to the wall where an image of her patron Saint Socorro (Perpetual Help) overlooked the cafe.

Socorro Herrera at her restaurant in Hernandez, NM

“I can’t do this by myself!” she cried to the saint.  “I need your help to get this done in time.”  And then time stopped.  Socorro swore that every time she looked at the clock, the hands had only budged a fraction and indeed, she finished the order and was out the door to deliver on time.

It was time for me to get on the road again.  Traveling west, I circled around the great Jemez Mountain range through the towns of Abiquiu, Coyote, Gallina.  Looming large on the left horizon was Tsi Ping, or Pedernal as the Spanish called it.  Tsi Ping in the Native American Keres language means “flaking stone.”  Reportedly there was a large obsidian mine from which tools and implements were traded for hundreds of miles away.  The Spanish word means “flint.”  Years before, I discovered an amazing summer solstice alignment with Tsi Ping and the setting sun, seen from the Puerto Nambe area in the high country above Santa Fe.  That is the subject of another Earth Walks blog entry.  For Georgia O’Keefe, the mountain held special significance.  She was reported to say that if she painted the mountain enough times (as she did with a mysterious ladder above it in the sky along with a half-moon), she would become one with the mountain and it would be “hers.”

The mountain felt like “mine” on this day as I once again traveled past it.  Years before, I climbed the peak, and felt a strong energy that evoked the unseen presence of something I could not quite name at the time.  On this day it felt like a directional sign post and good friend waving to me on my journey to Chaco.

Tsi Ping or Pedernal Peak in the mist

I needed a friend because I feel like a refugee, escaping from a troubling work situation with the Santa Fe Public Schools. Close to the canyon the cell phone unexpectedly buzzed with a message from the job.  I recoiled and contracted, like a cornered snake that had gone into defensive posture.  But then I thought to myself, “Keep your protective spirit shield firmly in place and do not contract in fear of change or new conditions, requirements and adaptations around you.  Say ‘yes!’ to all that does not compromise your core values.”  And with those words, I arrived in the canyon.

Chaco was still the same bone-dry desert ecology that always seemed so inhospitable to human habitation. It was brutally hot that day, but like every desert, Chaco took getting close to the ground to see the complexity of life that does exist.  Ancient cultures utilized beeweed, pinon nuts, rice grass, cactus fruit and other native plants for food, then later cultivated beans, corn and squash. This trio was known in Native America as the “Three Sisters.”  When planted together, they worked to help one another thrive and survive, a good metaphor for any community.  (See )  For my food, I foraged through the aisles off my local community natural foods co-op store in Santa Fe which did a good job helping its members thrive and survive.

Later in the day in camp, I sat in the only available mottled shade of nearby low growing cliff bushes and created prayer sticks for friends facing challenges as well offerings to my home. The sticks were decorated with yarn, feathers and other found objects. While they were made, they were imbued with positive thoughts and intentions and then planted in the earth outdoors where winds carried their prayers to all the directions. Kind of like prayer flags in the Buddhist tradition. Creating them in silence was a kind of meditation. I sat, knees bent, “feet standing,” silently winding colored yarn onto the sticks.

I learned how to make the “ofrendas” or offerings from a woman named Maria Elena. She was of Native Mexican Huichol ancestry and had the gift of being a “dream healer,” which meant she could enter into the dream world of a person and offer help and interpretation.  As a young child in Los Angeles, where her Mexican parents had immigrated, she occasionally found herself in that dream world, seemingly floating above her bed and having other unusual experiences.  Experiences that her parents did not want her to have, as they had immigrated to the U.S. to forge a new and hopefully more prosperous life.  So, they put her in parochial school to help her forget the old ways.  But Spirit will have its way, no matter where we are.

At school, Maria Elena made friends with a school maintenance man and together they went out to the desert and did prayer and ceremony, helping to further deepen her healing abilities. This secretive time in ceremony and prayer helped her make sense of her natural talents. Maria Elena said that if she had been living in her Huichol community in Mexico, the elders would have recognized her gift and taken her to be trained in the ways of their people.  Fortunately for me and many others, she did not lose that gift and indeed was willing to share her healing ways.

I thought of her now at Chaco and acknowledged the gift of her teaching.  As I sat in calm, silent gratitude a two-foot snake unexpectedly and quietly sl


id her way under my legs.  It was a total surprise, yet in another way it wasn’t, since I’ve had so many encounters like this in nature. I stopped working on the prayer stick as the snake stopped among the colored balls of yarn and feathers.  She looked up at me and blinked.  I winked back, neither of us expressing any trepidation. Chaco had always shared its mysteries and magic with me, and this was another one of those moments.

For some indigenous cultures, the snake is the most sacred of animals as she travels with her heartbeat so close to that of Mother Earth. In the system of Medicine Wheel earth astrology by Sun Bear and Wabun, my totem animal is the snake. Unlike many European concepts of the snake, in Native America this creature is revered for its power of transformation.  The shedding of skin is a powerful metaphor for our ability to transform our innermost being, bringing the lessons we learn in life into harmony. And the snake has something else special to teach–it is the only creature that travels through life with its heart in close contact with the earth.

I reflected on all of this as I bumped along the washboard dirt road from Chaco, thinking about the snake’s advice to experience the world willingly and without resistance.  Sun Bear and Wabun wrote, ” (the shedding of Snake’s skin)…is the knowledge that all things are equal in creation and that those things which might be experienced as poison can be eaten, ingested, integrated and transmuted if one has the proper state of mind…which can bring about a balance of passion, vitality, dreams, leadership, wisdom and resolution.”  That certainly would help in my job challenges, so I resolved to be more like the snake and stay close to the ground, listening to the messages of my heart and that of mother earth.

Gift from Canyon de Chelly: We Are All Family

White House Cliff Dwelling

It was early spring, April 1 2007 in Canyon de Chelly, Arizona and I walked down nearly a thousand feet of a switch back trail through 250 million years of breathtaking beauty. The red sandstone cliffs carved over millennia by forces of nature had been home to humans for over 1500 of those years, stretching back to Pueblo cliff dwellers and to the present day Dinè (Navajo) settlers.  Nearly 100 years ago on this same day, Canyon de Chelly was designated a National Monument. Many who come to this place do not know the tragedy and horror that was forced upon its people by the U.S. government led by Kit Carson.  It wasn’t until years later that I visited the museum near Ft. Sumner, New Mexico that I learned more fully about the shameful history in which not only Dinè but also Ndè (Mescalero Apache) people were forcibly removed from their traditional homelands to a lonely, inhospitable outpost, walking in brutal winter conditions for hundreds of miles.  (Visit this museum at )  It is a story of incredible hardship as well as resiliency and courage.

As I wound my way through the cliffs and crags, I was inspired to taste the sweet and bitter berries of the junipers that inhabit the area, their pungent flavor opening me a bit to other fragrances of the canyon: pungent pinon warming in the late afternoon sun, dry roots with twists like the weathered sandstone walls themselves and a subtle aroma of the earth.

On the way down, I encountered an elder Dinè woman, the deep lines in her face reflecting the ancient rock.  She was surrounded by a flock of young children who try to keep up with her steady and sure-footed pace.  No question that she was a part of this canyon and it a part of her.  I imagined that her destination was the hogan and fields far below on the canyon floor.  On they went and gradually I did too, eventually to a small stream at the bottom, finding a secluded spot away from other visitors.  Light through the cottonwood trees dappled the spring snowmelt water.  There were fresh green spring signs everywhere.

The poetry of Acoma Pueblo poet Simon Ortiz described my experience perfectly: (from “Canyon de Chelly” from A Good Journey, Turtle Island Press 1977).

Lie on your back on stone
the stone carved to fit
the shape of yourself.
Who made it like this,
knowing that I would be along
in a million years and look
at the sky being blue forever?

Time passed and the sun dipped down towards the western canyon wall.  Shadows lengthened and it was time to leave.  There were only a few of us left in the area, but I wanted to be the last one out.  As I made my solitary way back up the trail, a young Dinè couple effortlessly foot raced past me like a breeze.

Still, I lingered longer, hidden on a high ledge and above what I thought was the hogan of the elder I had seen earlier on the trail.  I wanted to give her and this place of beauty the gift of music with my flute, my way of saying thank you for being here.  I was giving up something, though, to do that.  Or so I thought.  My original intention was to be high up on the rim and play the flute to the rising full moon.  Offering this musical gift to the canyon on this lower ledge below, however, became the most important thing to do.

I walked to the edge of the ledge, played the flute, then returned to the trail to leave.  But before I left, I did something I learned to do years ago on another high desert place of beauty in New Mexico.

Loree Johnson Photography

As I stepped onto the trail and turned back to “return the gift,” an enormous full moon was rising on the eastern horizon in an opening between the canyon walls. Had I been there a little earlier or later–or had I been on the canyon rim–I would not have seen that spectacular sight.

Once atop the rim, I walked to the public viewpoint and discovered in a small pool of water on the cliff edge a reflection of the moon, now higher in the sky.  This called for cornmeal and another flute offering.  But before I could do so, far in the canyon below a chorus of coyotes began their own offering.  Next it was my turn with my flute.

The story came full circle eight years later in 2015 when I took another walk down the same canyon trail.  Huge winds and lightning struck the canyon and the bare sandstone walls became filled with waves and fountains of water, glassy and glistening. Trails became adobe super-slides.  Eventually the rain lessened and as I made my way back up, I encountered a friendly local man and several of his family. As we all rested a bit we engaged in conversation I felt moved to tell him about my experience playing the flute for the elder on my last visit.  Turned out this man was the nephew of the woman and her name was Marie.  She had just passed away that morning at 1 a.m. and now here I was, gathered with her family members on the trail above her beloved home.  Perhaps that made me an “honorary” relative.  In any case, to my way of thinking, we are all “relatives,” all family.

The Welcome Fire

“Once you’ve walked and left footprints in the canyon a part of you will always be here,” Daniel said.  What he didn’t say was that Canyon de Chelly, Arizona will call you back. And so, it has for over 30 years.Every return has been different yet somehow always the same.  On one occasion I was joined by 13 others. Some had been to the Canyon before, some never.  But all had heard the call.  It was October, 6 a.m. and dark in Santa Fe when we started the journey, none of us including me sure of what lay ahead but truly ready to go on the adventure.

First, we offered cornmeal to feed the directions, the morning, our journey, the vehicles and each other and all others.  It was an Indigenous tradition from the Southwest I had been shown to do, and almost every early dawn whether it was downtown Washington, D.C., Kolkata, India or my own backyard in Santa Fe, I had done so. Dinè (Navajo) elder Annie Kahn, in the spirit world as of this writing, once led me in dawn prayer, when the stars were shining and a thin line of light threaded its way across the eastern horizon.  She said it was a special time of “Hòzòn”  (beauty in the Dinè language) when prayers could be sent and heard most clearly. Annie was and is still a light in the dark for me and many others.

Offerings made, we traveled on past pine clad mountains, the looming flat-topped volcanic Tsi Ping (Pedernal) peak made famous by artist Georgia O’Keeffe, through red sandstone cliffs of Gallina, the rolling plains near Regina, past billboards, gas stations and fast food eateries of Bloomfield and Farmington.

We stopped as if compelled by some invisible force near the visually stunning and dramatic immensity of a sharply jagged dark peak commonly known as Shiprock.  No ships around here, though.  It was a misnomer.  The Dinè named the peak Tse Bit’a’i, “rock with wings” which refers to the legend of a great bird that brought the Dinè from the north to their present lands.  Other traditional stories surround this mountain which thrusts starkly upwards into the cobalt blue sky with its “wings” of volcanic rock radiating north and south from the central formation.

Traveling westward we snaked our way over the Lukachukai Mountains, with stunning views towards Tse Bit’ a’ i’ in the east, then dropped down through massive red sandstone cliffs to the west, eventually reaching the mouth of Canyon de Chelly and the Dinè family who would be our guides for four days.

From the Earth Walks I remember:

  • At the beginning of our descent down the long and winding trail from the canyon rim, Roshi Richard Baker’s answer to Joan Halifax in her Zen training: She asked, “Roshi, there is the path and there is the temple at the end of the path. What is the meaning of the path?”  His response: “Joan, the path IS the temple.” Step by step, some labored, we threaded our way down, then reached our new home for three days in the canyon.  We left our footprints in the sand, soul signatures that would call some of us back here again.Guide Daniel Staley’s cousin Esther Bia who accompanied us shared, “My mother said to always leave a little food on your plate for the ‘hungry spirit.’ In times of need you will be helped.”
  • At dawn, Daniel’s flute and prayer chants echoed against the dark cliffs against a sea of infinite stars, meteors streaking across the horizon. Daniel told us on the trail down: “Whenever you need, face the canyon wall and let everything go that needs to go.  It will help change you.”
  • I woke up in the tent the first morning with persistent joint pains gone! Where did they go? Someone said, “To Mother Earth!”  I felt joy and energy enough to run the canyon.
  • We did service work at a canyon resident’s land, digging the fence line free of sand blown over by fierce winds; clearing the fields of dead and down wood and hauling heavy sheet rock from a truck to the house.
  • Then we visited the home of another resident in the canyon.  It was an amazing contrast of nearby ancient cliff dwellings in the canyon wall and a set of active solar panels generating electricity for the house. Even though it was a bright sunny afternoon, she and her grandson lit a fire outdoors, a traditional welcome to visitors. We shared lunch and her family stories.
  • During 35 mile and hour swirling gusts of wind we shook ourselves out of old habits and thoughts through a sweat lodge. It is as if the winds carried away our prayers to where they needed to go. When we were out of the lodge the winds calmed.  As we began the ceremony, a hawk flew to a perch atop the canyon wall, overlooking our doings.  I thought: this is the spirit of Daniel’s grandparents, on whose land sat. His family was here and we had become part of the family as well.
  • When we first arrived at the campsite, Esther urged us to build a fire as soon as possible, to let everyone—seen and unseen—know we were there. I took it to be a kind of welcoming as well as a friendly protection.  As a member of the Scottish McKenzie Fire Klan on my mother’s side of the family, I liked that idea.  After all, I lit candles in my parents’ basement when I was six years old and stared into the flame, fascinated with the small fire but I think truly I was seeking the fire of spirit. Jesuit philosopher Pierre Teilhard de Chardin once said, “The day will come when, after harnessing space, the winds, the tides and gravitation, we shall harness for God the energies of love. And on that day, for the second time in the history of the world, we shall have discovered fire.”  Perhaps on that Earth Walks we rediscovered those energies as well.

The important thing is not to stop questioning.  Curiosity has its own reason for existing.  One cannot help but be in awe when on contemplates the mysteries of eternity, of life, of the marvelous structure of reality.  It is enough if one tries merely to comprehend a little of this mystery every day.

 —Albert Einstein

Canyon de Chelly for the First Time

Spider Rock by

May 15, 1992, Canyon de Chelly.  It was my first time to be at the foot of Spider Rock on the canyon floor at the confluence of incredible energies.I was here with friends Ernesto, Doug and Fred and Dinè (Navajo) guide Daniel Staley.


Grandmother Spider or Spider Woman is a sacred being that is part of the creation story for many Indigenous people in the American Southwest. (Note that there may not be qualified Indigenous sources for this website article.)  I had a special relationship with the spider that went back to my days in graduate school at the University of Denver in 1971 when I met and fed yogurt to a little spider who visited my basement apartment.  In my personal memoir, I have detailed magical encounters with spiders through the years, including a black widow who worked on her web in the shower stall every time I bathed at my home in Chupadero, north of Santa Fe, NM. For many years I have worn a watch band made by Hopi artist Ross Joseyesva with a spider design that includes what he called the “friendship symbol.” Ross sent me the watch band in the mail before I had paid for it, which I consider an act of friendship and trust, much like that little spider accepting my offering of yogurt before she traveled on.


Daniel shared that there are many versions of the creation story, but if there ever is only one, it will mean the end of the world!  Other cultural lessons from Daniel:

  • When gathering plants for use, always select from the east side.
  • Likewise, choose a fire poker stick from east side of plant. The stick when not used is placed on top of house to protect it from burning.
  • The Juniper tree has a beaded pattern from which the early people learned how to make baskets.   Juniper bark was once used for diaper like material and to line infant cradles.

Annie Kahn with a Young Friend

Dinè elder Annie Kahn had given me permission to bring folks to her home, so two days after the Canyon experience, my friends and I sat in her hogan as the full Wesak Moon set and sun rose. We were to record dreams for four nights, then put them away until the new moon, forgetting them until then and retrieving them to see what has transpired.  Annie was a wonderful teacher, healer and storyteller. She shared a dawn prayer song which I have sung daily ever since, no matter where I am:

Hozho Ashado

I walk in Beauty, just for you and only you.

I talk in Beauty, just for you and only you.                                    

I sing of Beauty, just for you and only you.

Annie Kahn Passes (2010)

Annie spoke of the “two spirits” or nadleehi and dilbaa persons born, respectively, as males or females–who U.S. general culture might call “gay.”  This was my “tribe” of people and they were once a family responsible for changes and transitions in life Annie said.  The relatives of this family contain elements of both worlds of up and down, night and day, male and female she added.  Annie used the phrase “twice blessed” to refer to us.

We were given some self-care homework to practice at home: Breathe in the sun four times with arms taking in the horizon, allowing it to grow and be alive.  Remember that there must always be a spirit line, a place of surprise and mystery in all of life and listen to the wind, allowing all our senses to be aware.  Dinè people share a story, she said, but not all of it; it is up to each individual to add from their own experience.  Above all, don’t stick to the normal, government inspected and approved path–explore, experiment, touch taste, smell, see hear for yourself.  Let go of shame she advised, and use the parts of yourself that have been forgotten.  Take in “the other” (you define that for yourself) with your left side and balance with the right.

On the day we left, we enjoyed a breakfast meal with tablecloth on the floor.  Cornmeal mush was served in a woven basket, its “spirit line” to the East.  We fed ourselves like children with our hands, not worrying about social etiquette, happily spilling some if we did, and at the same time feeding all other Beings.

Natural History Museum of Utah

Winking at a Snake in Chaco Canyon, New Mexico


I was on a solo journey to Chaco Canyon August 11, 2012, taking a favorite walk from the Great Kiva Rinconada to the mesa above the kiva and the ancient site of Tsin Kletzin.  The subterranean Great Kiva was once utilized for religious activities and ceremonies.  It had 39-foot passageways from the underground structure to above ground levels. Casa Rinconada is one of the many buildings in the Chaco area that have documented astronomical alignments.  Many know the Great Kiva for the archeoastronomy event that occurs on summer solstice. PBS video

On the walk all was silent save for the wind, whipping around me in a deafening roar. Suddenly I encountered two large deer, or possibly elk.  There were two farther on.  How they survived in this harsh environment could be a lesson to us all in this time of global climate disaster.  I felt blessed by their wild animal presence.  Back in camp, I sat in mottled shade of the nearby low growing cliff bushes and created prayer sticks for friends facing challenges as well offerings to my home.  Knees bent, “feet standing,” I silently wound colored yarn, feathers and other found objects into the sticks.

These “ofrendas” were a meditation practice given to me and others long ago at the LBGTQ Spirituality Gathering at Lama retreat center north of Taos, NM by Maria Elena.  Maria Elena was of Mexican Huichol ancestry and had the gift of being a “dream healer.”  She could enter into the dream world of a person and offer help and interpretation.  As a young child in Los Angeles where her Mexican parents had immigrated, she occasionally found herself in that dream world, seemingly floating above her bed and having other unusual experiences.  Experiences that her parents did not want her to have, as they had immigrated to the U.S. to forge a new and hopefully more prosperous life.  So, they put her in parochial school to help her forget the old ways.  But Spirit will have its way, no matter where we are.  At school, Maria Elena said made friends with an African American maintenance man and together they went out to the desert and did prayer and ceremony, helping to further deepen her healing abilities. This secretive time in ceremony and prayer helped her make sense of her natural talents. Maria Elena said that if she had been living in her Huichol community in Mexico, the elders would have recognized her gift and taken her to be trained in the ways of their people.  Fortunately for me and many others, she did not lose that gift and indeed was willing to share her healing ways.

cute <b>snake</b>&#39; Sticker | Spreadshirt

The ofrendas had also become a part of my healing and prayer practice.  As I sat there quietly making prayer sticks, slowly sliding out of the low bushes emerged a two-foot snake that just as quietly made her way under my legs, stopping briefly among the colored balls of yarn and feathers to give me a quick glance, then travel on her merry way.  For some indigenous cultures, the snake is the most sacred of animals as it travels with its heartbeat closed to that of Mother Earth.  I was both in awe and gratitude for this silent serpentine gift.

Earlier in the day driving into Chaco, the cell phone buzzed with a message from work at the public schools in Santa Fe.  As I listened, I recoiled and contracted, wanting to be as far from an increasingly difficult work situation as possible. But soon thereafter I heard this interiorized message:  “Say yes! to all that does not compromise you or your core values…keep your spirit shield firmly in place, beware delusional thinking, but do not contract in fear of change or letting go to new conditions or requirements or adaptations to the material world.”  Perhaps this was the message the snake was giving me in advance of our special encounter.

And all it took was a quick wink.

Chaco Canyon Calling! June 2023



The Flute at Sunrise–Chaco Canyon

JUNE 16-18, 2023
(Just a few spaces left–register soon!)
On the mesa at Chaco. You. Native American flute plays as birds sing the day awake. First rays of sunrise warmly greet you.
If you’ve been to Chaco Canyon New Mexico before, you most likely want to return.  If you’ve never been to this profound World Heritage site, this is your opportunity for a wonderful immersive experience.  Chaco is vast, silent and filled with the voices of the Ancestors in ancient Pueblo sites, rock art known as petroglyphs and phenomenal archeoastronomy reflected in its buildings.  Then there are the stars at night! 
In fact, this will be New Moon when the night sky will especially display her sparkling glory.  We will be in the Canyon close to Summer Solstice, when special features of the ancient buildings receive the first rays of light in a remarkable display of architecture and the natural world.
Cultural resource guide for  the group will be respected elder and artist Bea Duran of Tesuque Pueblo.  Bea considers Chaco to be ancestral heartland and homeland and her humor and goodwill radiates a warm welcome to all.

Bea Duran of Tesuque Pueblo

Prior to the two night camping trip, the group will meet  with Ehren Kee Natay, a local Indigenous multi-media artist and recognized member of the Dine Nation with Kewa Pueblo, Irish and German ancestry. Deeply connected to his ancestral traditions, Ehren will share his understanding of historical and contemporary Indigenous culture, dispelling myths along the way.
His creative work has shown internationally and can be found at two New Mexico Heritage Museums. His current work further infuses his musical craft in Native American flute and drumming with visual aesthetics via live-performance. In his words, “I have a prayer, a spirit, a breath that is inside me.  It tells me to create. It cannot be silenced.  It can only be quiet by creating.”  

It is this spirit and breath that can be found in Chaco Canyon. I hope you will join us in this journey of discovery.

Doug Conwell, Earth Walks

For more details, cost and registration information contact    There is limited space available so be in touch as soon as you can!