Ladder to the Moon

It was a hot summer solstice day June 22, 1985, and I was hiking the high country above Santa Fe with a 40-pound backpack.  Light streamed through ponderosa pines, dappling the path I walked.  My breath was coming harder so a stream along the way was welcome cool relief. Then it was onward and upward. As I approached the summit of Puerto Nambe, I paused for air in the rarefied atmosphere and took in the great expanse nearly 12,000 feet below me.  I felt small, insignificant amidst this vast panorama and yet somehow as wide and endless as the sky and its horizon. Far in the distance was Pedernal Peak on the northwest edge of the Jemez Mountain range.

Pedernal in Spanish means “flint.” The first peoples of the area call it by the Keres language name of Tsi Ping, “place of chipping away.” Centuries ago, Pueblo people traded chert and obsidian implements crafted from mines at Tsi Ping.  When I once climbed the 10,000-foot volcanic butte, I was scrambling up 8 million years of geologic history and could see the far away mountains of Colorado. Another time I explored the nearby ancient pueblo (also called Tsi Ping) perched atop a mesa and found numerous examples of archeoastronomy, places where researchers believe certain natural features align on specific seasonal, lunar and solar events and figure into sacred ritual observances of the people. As they continue do today in the Pueblos, these cyclical events foster awareness of our essential connection with nature and a sense of balance and inspiration. 

Silently standing on the summit of the Sangre de Cristos and looking back at Tsi Ping, I was awestruck at the drama of sky and earth before me. I was certainly not the only one to feel that way. In 1958, famed artist Georgia O’Keefe painted Tsi Ping with a ladder to a moon suspended in a turquoise sky. The moon was in perfect balance, halfway between full and new, light slicing it exactly in half.  They say Georgia thought if she painted it enough times it would become “hers.” Was the painting just a reflection of surroundings at her Ghost Ranch house?  Or did it symbolize some kind of unseen link between us and cosmic forces like the ladder in a sacred ceremonial Pueblo kiva? We can only guess at the answer, but O’Keefe passed on March 6, 1986 and her ashes were spread atop the peak according to her wishes.  If the mountain did not become hers, perhaps she was claimed by the mountain.

O’Keefe was a fearless pioneer when women were more likely to be found cooking in the kitchen and cleaning up after their families.  That’s a sacred role, but O’Keefe was an iconoclastic renegade, a rebel with a cause and a profoundly talented one at that.  I’m a lot rebel myself and I like that in her. She also took a local young man, Tio Manzanares, under her wing and supported his education and employment. Tio later became a friend of mine as well as an Earth Walks cultural guide. O’Keefe gave generously to the local elementary school and other causes.

It was getting late that summer solstice afternoon, and I needed to make camp in the Puerto Nambe area.  But I was glued in astonishment to the rock in the meadow where I sat watching the path of the sun make a direct arc towards the dark pyramid of Tsi Ping.  As it reached the horizon the huge burning orb of orange and red set directly behind the pointed peak, bisecting it exactly in half.  Had I been here a few days before or after, I would not have seen this phenomenon. In that profound instant, dots and lines connect in my mind.

There are no accidents. I was watching this convergence of sun and earth that in my bones I knew was a part of ancient rituals at this very spot. I had not only a visual connection with Tsi Ping at that moment, but something else powerful, unnamable, timeless. The sun set and I had to set up my camp for the night.  Hoisting up my backpack I walked the steep mountain pass trail into the growing darkness of evening, like walking up the steps of Georgia’s ladder to the sky. Somewhere above me that moon must have been hanging in perfect balance.

Chaco Canyon, New Mexico: “Tasting Forever”

Early morning, November 11, 1980 and the Chaco Canyon visitors’ center was not yet open.  I sat in my car waiting.  And watching.  Watching a meditation in movement unfold in front of me on my first visit–more like a pilgrimage–to Chaco Canyon National Historical Park.  A man was slowly, methodically and silently sweeping the entrance sidewalk, starting from one side and carefully making his way to the other.  Not with a store-bought broom, but rather one that was handmade from brush and plants gathered in the area.  Unlike me, the man was not in a hurry.  He was slightly leaning, intent on each sweep of the broom, each passage down the sidewalk like a reverent monk at a Buddhist temple.  There was no one else but us around in the silence save for we two and the early morning birds, unseen insects and other life forms waking up to the day.  Deep breath, palms together, I bowed as Chaco greeted me, conveying a message and an image that I would carry with me with on numerous visits in the coming decades.

Chaco Canyon, a major center of ancestral Pueblo culture between 850 and 1250, was a focus for ceremonial, trade and political activity.  It is remarkable for its monumental public buildings and distinctive architecture, the most exceptional concentration of pueblos and ancient ruins north of Mexico. Chaco is a great mystery play whose actors are the stars, sun, moon, the land and imagination and spirit of those who have made their way here over millennia. Both solar and lunar cycles were integrated into the architecture and huge building sites were in alignment with each other over many miles. Great straight roads radiated out from the center of the canyon to distant outlying settlements.


Many of the Indigenous people who guide Earth Walks groups consider Chaco as their ancestral home and approach the canyon with the respect that one has for a wise elder in the family.  I am one of the countless thousands who feel an inexplicable kinship here as well.  Over the more than 30 years of personal visits and leading Earth Walks groups to Chaco, my experiences have been unexpected and surprising, healing and transformational.  I share some of these in the experiences that follow.


August 15, 1986:  I walked alone on a mesa ledge in Chaco Canyon 300 feet above the huge pueblo complex called Pueblo Bonito. To get here wasn’t easy:  a long winding trail from the parking area below, then a climb up a steep and narrow trail up through a slit in the sandstone mesa and still more walking.   It took time and lots of effort but I needed to get up and out to view the vast open expanse of land and sky for inspiration and a break from my recurrent anxieties about income and loneliness. Those issues were oddly alternating with a deep feeling of abundance and contentment, issues I found reflected in this Chaco environment of sparse water, harsh climate and immense inspiration.

The winds of the canyon were just a gentle zephyr during my walk.  Birds chirped from the cliffs around me. I heard my footfall step by step on the bare sandstone trail amidst the quiet of the canyon. I was walking a trail used hundreds of years ago by thousands of ancestral Pueblo people coming to this Center Place of the Chaco world.  They traveled on constructed roads that radiated out in all directions, traversing a landscape barren of trees and water. The roads were wide and straight like highways leading sometimes to an identifiable goal, sometimes not.  Huge earthen ramps were constructed when the road met a steep cliff.

I was not thinking about much, just enjoying the walk when the unexpected occurred.  My long-deceased cousin Janis Hammer appeared in my mind.  I had not thought much about her in recent years, even though she and I were the same age and were inseparable playmates. I didn’t have a sister and she was an only child so when we were together, which was often, we had wonderful fun. Janis died instantly in a car accident in which my brother was driving in El Paso.  My brother was not at fault, and he almost died also because of the accident.  I was deeply stunned at her loss and refused, as I recalled, to get out of the car to attend graveside services. I remembered sitting in my parents’ home after Janis’ death, not speaking, not crying, just being silent. Perhaps I never mourned her loss, not wanting to feel the pain of loss of someone so dear.  Perhaps as a teenager I did not know how to grieve.

Photo by

Now, over 30 years later, in the remote desert of Chaco Canyon, Janis as a woman my own age came into clear inner view.  Tears welled up in my eyes as I realized I indeed had never accepted her death. Overcome with emotion, I stopped walking, and turned to face an opening across the canyon called the South Gap. Through the space between the canyon walls, I could see an almost limitless horizon.  And in the midst of the morning, surrounded by the unseen ancient ones of this place as witnesses and guides, I released Janis and her spirit to go where it needed to go.  And I was freed as well to walk my path with my load a little lighter.

It was only later I learned that archaeologists discovered a huge mound of broken pottery on the north facing side of the site called Pueblo Alto where I walked.  They speculated that Pueblo pilgrims would travel a long arduous journey across the dry desert land, ritually breaking their potteries perhaps as a symbol of releasing not just physical burdens but inner ones as well.  On this day of arrival at Chaco, I joined with those ancient ones and did the same.


“Tasting Forever” with Thanks to Simon Ortiz

September 23, 1991:  During my twelve years of living in New Mexico at the time, Chaco Canyon had drawn me like a magnet. I felt a sense of mystery, wonder and timelessness just in just hearing the name for the first time. On this day I was at Chaco to join friend Charles Bensinger and Guatemalan spiritual leader Don Alejandro in a prayer ceremony to observe a fall equinox phenomena interplay between the sun and ancient manmade structures.

But darn it!  I had a persistent pain in my stomach that began even before I arrived at Chaco. Was the pain physical, emotional or both?  It had been a difficult year on many levels.  In January President George Bush declared war on Iraq.  Iraqi leader Sadam Hussein deliberately set oil wells on fire in the Persian Gulf creating a huge environmental disaster.  In the Soviet Union, repression rose after a hopeful year of incipient democracy.  The U.S. economy was in serious trouble.  On the personal side, a close relative entered a hospital psychiatric ward, plagued with inner demons of doubt, paranoia and depression. A romantic relationship I was in for several years ended.  The biggest blow was the death of my mother. Maybe coming to the canyon today was not only to attend the equinox ceremony but to find solace and some relief from the stomach pain as well as the pains of this world.

I drove here alone, something that always helped me unwind from my daily routines, responsibilities and anxieties at home.  Turning off the well paved U.S. Highway 550 was a step in slowing down because the next 13 miles were rough and narrow, some of it impassable if wet.  The windswept landscape was bone dry, with only sparse sagebrush, cactus and occasional juniper trees dotting the horizon.  Yet this was the desert environment I had lived in most of my life that made me conscious in a way a more lush, wet world did not.  The sound of a single bird singing, a drop of rain or trickle of water, the flash and wiggle of a lizard tail–here in the desert they reminded me not to take life for granted–all my thoughts and actions were consequential.

At the campground I set up tent and gear, checked in at the visitor center and headed out into the canyon for a first walkabout, which I decided would be the high mesa ledge overlooking the massive ancient site of Pueblo Bonito.  Getting there involved a long walk and a tricky climb 150 feet up through a narrow slit in the sandstone walls. All the while, there was a persistent and painfully persistent jabbing in my stomach.  Pain or no pain, though, I was not going to miss out on this time in Chaco.

I clawed my way up and onto the mesa ledge and emerged onto the sandstone ledge like a newborn baby who has struggled his way out through the birth canal.  It was afternoon and the light was as mild as the temperature. From the ledge I could see much of the canyon below and miles in the distance beyond.  The mesa ravines supported wiry bunch grass, cliff roses wafting an occasional sweet fragrance, an array of desert wild flowers and Apache plumes now fluffy with seed pods illuminated like bright lights in the late afternoon light. Rocky erosional pathways were exposed like large veins in a human hand. Mysterious circular holes in the sandstone ledge looked human made and left me wondering about who, what and when.

This was the path of the ancients I trod, the route so many walked by foot for hundreds of miles to the Center Place, this canyon where thousands of rooms in ancient pueblo buildings had been carefully constructed in alignment with heavenly cycles of sun, moon and stars. I wondered if I was part of an ongoing drama, coming here to help find my own center place to ground myself in my daily life. There was a digital world wide web where I spent many waking hours connecting to others electronically, but where was that center place where I could rest and find relief in the sacredness of the everyday?  Chaco Canyon had been one such physical place for me over the years, a place of vast silence that evoked in me a sense of the awesome interconnectedness of all.

As I walked, breathing in the morning silence, I noticed a bit of crumbling red sandstone on the trail, and wondered if it might have served as paint for the exquisite Chaco pottery made hundreds of years ago.  Kneeling down, I wet it with saliva on my index finger to determine the color and texture; then without thinking, licked the red earth again, like licking the sweet batter on my mother’s spatula at home when she was baking a cake. It was rough, sandy and not at all like cake batter.  But for some inexplicable reason I repeated the procedure.  More licks of the earth batter.  Within minutes, my stomach pain vanished.  How?  Why?  I had no explanation, but a poet once said, “Sometimes the most important thing is the most inarticulate.”

Native American Acoma Pueblo poet Simon Ortiz, expresses it this way in his poem “Canyon de Chelly”:

Lie on your back on stone

The stone carved to fit

The shape of yourself.

My son is near me.

He sits and turns on his butt
and crawls over to stones,
picks one up and holds it,
and then puts it in his mouth.
The taste of stone.
What is it but stone,
the earth in your mouth.
You, son, are tasting forever.

At that moment I became part of the place and was given a gift from the canyon.  That night, another gift: I drifted to sleep to the sound of drumming and chants nearby in the campground.  Then a dream:  I watched a man (was it me?) ceremonially offer cornmeal to people gathered in a circle, inviting them to volunteer their service in some way. I awoke during the night just as a waning moon rose above canyon walls–orange-gold, beautiful, complete silence in the campground.  Later that night I drowsily awakened again under a blanket of infinite stars and watched a meteor trail across the vast canopy. I thought:  “This is why I come to Chaco.  To reconnect with my home in the stars.”  Then, an even larger meteor blazes across the darkness, as if to answer, “yes.”

After breakfast, I joined Guatemalan elder Don Alejandro for teachings on that fall equinox day.  His words of wisdom still ring in my heart, as true to me today as they were then:  What are you doing here?  Why am I here?  Each one of us, we travel to different parts of the world.  But what are we looking for?  We are looking for love and understanding among all beings that inhabit the Earth.  We are searching for something in our minds for what we can do to defend Mother Earth.” 


May 23, 2007:  I sat and shed tears of sorrow, shame…for what I was not sure.  I was working for the Santa Fe Public Schools as the emergency management and crisis response director and for the second year in a row had applied to the U.S. Department of Education for a large grant to bring our schools up to national standards.  I knew it was well written and worthy of funding….and I also knew I failed to include a required sheet of paper that could result in rejection.  It was too late to add the missing paper and I had to mail the proposal. I felt I had let down the schools, my community, state, the world!  Maybe this was not the work I should be doing, I agonized.  And yet, as I drove from the post office in abject sorrow, I prayed:  I need, and this application needs, a miracle to survive the heartless, objective “bean counters” at the federal level.  Just at that moment a CD in my car that had been stuck for days in the player began to play.  The speaker on the recording was saying that ALL of us make mistakes and God loves us no matter what our mistakes.  I took it as a sign that perhaps a miracle could happen for the grant application.  But–and a big but it was–I was still ashamed of my oversight of the missing piece of paper and was not forgiving myself. 

Two days later I arrived at Chaco Canyon to a spectacular technicolor sunset.  I was on a solo trip planned weeks before, but I didn’t know then how much I would need this time alone.  Others wanted to come but no one could.  Perhaps I was supposed to be here on my own to find some peace and comfort from the grant application ordeal.

The first morning I climbed the trail to a mesa above the campground for a sunrise meditation and read the words of East Indian spiritual leader Paramahansa Yogananda from an article entitled “Ridding Yourself of Worries:”  “Worry takes time and energy.  Use your mind instead to make some positive effort…every time you worry you put on a mental brake and in struggling against that resistance you place a strain on your heart and mind…remember there is someone on this earth suffering 100 times more than you are…if you do your best, God will reach down his hand to help you….”  Good advice, but my mind still had the brakes on, preoccupied with the grant application.

Casa Rinconada

Late afternoon I headed out for a walk from the monumental kiva (underground ceremonial structure) of Casa Rinconada on the south side of the canyon.  At this site almost 20 years ago I experienced the awesome mystery of Chaco.  I was guiding a group from the Institute of Noetic Sciences and though it had begun to snow, many of us happily hopped off the van and up the trail to Casa Rinconada.  We were able to sit inside the huge kiva on low lying walls rimming the circular structure and take a few moments of quiet, despite the swirling snowflakes and chilling wind.  My eyes were closed in meditation when something inexplicable occurred.  First, my inner vision filled with a bright golden light.  Then I felt a warm glow flow within and around me.  As soon as it came, it left and I opened my eyes and led the group back to the waiting van.

That night the others who had sat in the kiva shared that they too had the same experience as I did.  Just a fluke occurrence?  A collective delusion?  Casa Rinconada was for hundreds of years was likely filled with prayers for rain and sustenance. Community gatherings offered songs to thank the gods for corn and crops.  As it seems today in Pueblo life, prayers probably invoked the guiding presence of unseen spirits. Chaco is a thief of time, a place that marks the passage of time in its celestial architectural alignments and a place where all of time is present in the moment. I believe that our group was in the inexplicable presence of the ancient ones in that kiva “snowbowl,” an invisible presence that could not be spoken, paraphrased or translated into any language. In “The Little Prince,” St. Exupery said it this way:  “What is invisible to the eye is truly important.  It is with the heart that we truly see.”

It was from this great kiva where I began my solitary walk this late spring afternoon.  At least two major roads perhaps a thousand years old connect to the site from places many miles distant.  The little trail I followed went around the mesa through a large opening called the South Gap. It was just me and the raucous ravens, an occasional scuttling lizard and the wind whipping itself into a drumbeat in my ears.  I gathered a few fresh spring sagebrush branches to make prayer bundles for friends, and inhaled a deep awakening breath of the fresh pungent aroma.  At the mesa I ascended a zig zag trail up the side.  I had been here before, but this time the going was slower, the trail up seemed steeper.  I was carrying more than my little day pack.  I carried an emotional burden of shame and sorrow from the woes of my grant application.

Eventually I was on top of the mesa, a windswept sandstone saddle.  It was a stunning view to western horizon–perhaps thousands of acres of red-orange globe mallow plants in bloom, glowing brightly from late afternoon sunlight like a red ocean with an interplay of light and clouds–grey, blues, whites amidst the rest of the spring green landscape.  The panorama was vast, bordered by the Chuska and Lukachukai Mountains 50 miles to the west.  As I gazed quietly at the oceanic desert spectacle, a dream from long ago came back to me:  In the dream I was standing cliffside by the ocean as a truly wise person next to me motioned with his arm sweeping from one side of the horizon to the other, saying, “THIS is who you TRULY are!”  Now at this moment in this reality, from the heart of Chaco to my own heart, I heard within myself these words:

“You are NOT a piece of paper nor a job description, not a human doing.  You are a human becoming, perfect in his imperfection!”

Awestruck, I backed away up the mesa from one step at a time, keeping the view to the west in a solid gaze.  Up the trail, over rocks, ledges, tree roots one step at a time, backwards.  Then awe became celebration as I cried in joy, hopped, skipped and jumped realizing that the self-imposed burden of my week’s disappointment regarding the grant application had been lifted.  I realized that the grant application was just the apparent source of my distress.  Down deeper it was internal issues of feeling “I am not enough” or “I should be doing better.”  But “better” was never enough.  Now, thanks to the “spirit of place” and Chaco Canyon, I knew that no matter the outcome of the grant, I was heading home, a “human becoming” more whole and happier.

The application was not approved.  But the next year, on my third try, we secured $250,000 to do the much-needed emergency preparedness work for Santa Fe Public Schools.


August 10, 2012:  I was on another personal retreat at Chaco Canyon.  I tried to come in June, but was stopped in my tracks when my home was broken into. That day I returned home to pack up and leave for the trip.  Entering the house, I saw the patio door curtains blowing a bit in the breeze and thought, “I left the door open while I was away on errands.”  Then I saw the shattered shards of glass and the large rock hurled through the double pane door scattered on the floor. My plans for Chaco were shattered as well.  It took over a week and hundreds of dollars to get a new glass door from the Colorado manufacturer.

That whole year had been a tough time personally and also in my community and the nation. Just like the rising hot temperatures, burglary rates were skyrocketing in Santa Fe.   Fires raged throughout the western U.S. and Denver set record high temperatures. A fire near Colorado Springs consumed over 300 homes. The mid-Atlantic states sweltered under a record breaking 104 degrees and Washington, D.C. declared a state of emergency due to huge damaging winds.  Close to home, my kitty companion of nearly 20 years was not eating much and was uncharacteristically staying outdoors a good deal of the time.  It was possible that she had a failing kidney.

So, this solo sojourn to Chaco was a needed retreat.  I started the day at Socorro Herrera’s Cafe in Medanales north of Espanola, enjoying breakfast with Tio Manzanares. Tio and my path crossed at Ghost Ranch Presbyterian Conference Center in the early 1990’s where I was teaching a retreat called “Earth Walks: The Spirit of Place.”  He was giving talks to Elder Hostel groups, mostly about his time working for 12 years as a young man for artist Georgia O’Keefe.  At a meal together in the Ghost Ranch dining hall, I quickly learned that he had much more to share than just his tales with the famous “Miss O’Keefe” as he called her.   His stories of artists, aliens and angels left me alternately spellbound, skeptical or rolling in laughter but always I felt the good-hearted nature of this man who had spent most of his life in the Abiquiu area north of Santa Fe.

It was hard work, but for much of his life Tio was a stone mason, building walls and other structures in the nearby villages.  That meant collecting lots of stones–8.900 truckloads to be exact, wearing out 42 trucks over the years from 1972-1994, he said.  Seems like he had collected as many stories as stones, but he was given some advice about stone collecting that could well apply to storytelling.

“Tio” Manzanares

“An Indian friend told me that some of the stones were not supposed to move from their spot,” Tio shared.  “First I thought a rock doesn’t have any understanding.  Then sometimes my truck would break down for some reason.  Once I caught on and figured out that those stones were not intended to move, I didn’t have a problem. And the rocks were gentler to me.  I didn’t smash my fingers as often and I could move the stones more easily.”

On one occasion his truck did break down on a late winter afternoon in an isolated arroyo where he’d been traveling. Light was fading and so was the temperature.  It was far from home and Tio was worried about what to do.  For a minute, he thought he heard sounds of a car.  Climbing the hill above he saw headlights heading towards him.  The car shortly arrived and a man stepped out, asking if Tio needed help.

“Who are you?  Where did you come from?” asked Tio, totally mystified at the stranger who appeared seemingly out of nowhere.

“I’m just helping out people who get stranded,” he replied.  “And I’m from a place you wouldn’t even know about.” With that, the man went to his car and pulled out the exact tools and parts needed to fix Tio’s truck, parts that would have required a trip into town to purchase.

“Maybe that stranger who helped me on the road was Saint Jude,” Tio mused.  Towards the end of his stonemason career, Tio smashed his hand severely and he cried out to Saint Jude in pain, “If you think you can change my life, do it!” Saint Jude is the patron of hopeless causes and despair. In a week Tio had a new job and quit the stone mason business.  Ever after, he kept a lighted candle at the foot of his Saint Jude statue. In any case, after the truck was repaired, the man got into his car, backed up, turned around and left.  Tio quickly climbed the small hill again to watch him leave…but there was no sign nor sound of a car in any direction.

Tio and I were about done with the breakfast of good and hot New Mexico huevos rancheros (spicy red and green chili–I always ask for “Christmas”) when Socorro, who managed the cafe stopped by with the check and a smile.  She and Tio were mariachi singers and musicians “back in the day,” and it was a delight to see them recount those times.  Tio said she was an award-winning diva of northern New Mexico songs. Socorro had her own stories to tell, some of them filled with the flutter of angels’ wings and miracles.

One day she was in the cafe early, preparing a huge catered meal order.  It was just her alone, without staff help that day, and the clock was ticking.  This was a big deal order, which could lead to much more needed business.  But how was she to get it all done in time?  The answer to that was doing the thing she knew best: prayer.  She walked to the wall where an image of her patron Saint Socorro (Perpetual Help) overlooked the cafe.

Socorro Herrera at her restaurant in Hernandez, NM

“I can’t do this by myself!” she cried to the saint.  “I need your help to get this done in time.”  And then time stopped.  Socorro swore that every time she looked at the clock, the hands had only budged a fraction and indeed, she finished the order and was out the door to deliver on time.

It was time for me to get on the road again.  Traveling west, I circled around the great Jemez Mountain range through the towns of Abiquiu, Coyote, Gallina.  Looming large on the left horizon was Tsi Ping, or Pedernal as the Spanish called it.  Tsi Ping in the Native American Keres language means “flaking stone.”  Reportedly there was a large obsidian mine from which tools and implements were traded for hundreds of miles away.  The Spanish word means “flint.”  Years before, I discovered an amazing summer solstice alignment with Tsi Ping and the setting sun, seen from the Puerto Nambe area in the high country above Santa Fe.  That is the subject of another Earth Walks blog entry.  For Georgia O’Keefe, the mountain held special significance.  She was reported to say that if she painted the mountain enough times (as she did with a mysterious ladder above it in the sky along with a half-moon), she would become one with the mountain and it would be “hers.”

The mountain felt like “mine” on this day as I once again traveled past it.  Years before, I climbed the peak, and felt a strong energy that evoked the unseen presence of something I could not quite name at the time.  On this day it felt like a directional sign post and good friend waving to me on my journey to Chaco.

Tsi Ping or Pedernal Peak in the mist

I needed a friend because I feel like a refugee, escaping from a troubling work situation with the Santa Fe Public Schools. Close to the canyon the cell phone unexpectedly buzzed with a message from the job.  I recoiled and contracted, like a cornered snake that had gone into defensive posture.  But then I thought to myself, “Keep your protective spirit shield firmly in place and do not contract in fear of change or new conditions, requirements and adaptations around you.  Say ‘yes!’ to all that does not compromise your core values.”  And with those words, I arrived in the canyon.

Chaco was still the same bone-dry desert ecology that always seemed so inhospitable to human habitation. It was brutally hot that day, but like every desert, Chaco took getting close to the ground to see the complexity of life that does exist.  Ancient cultures utilized beeweed, pinon nuts, rice grass, cactus fruit and other native plants for food, then later cultivated beans, corn and squash. This trio was known in Native America as the “Three Sisters.”  When planted together, they worked to help one another thrive and survive, a good metaphor for any community.  (See )  For my food, I foraged through the aisles off my local community natural foods co-op store in Santa Fe which did a good job helping its members thrive and survive.

Later in the day in camp, I sat in the only available mottled shade of nearby low growing cliff bushes and created prayer sticks for friends facing challenges as well offerings to my home. The sticks were decorated with yarn, feathers and other found objects. While they were made, they were imbued with positive thoughts and intentions and then planted in the earth outdoors where winds carried their prayers to all the directions. Kind of like prayer flags in the Buddhist tradition. Creating them in silence was a kind of meditation. I sat, knees bent, “feet standing,” silently winding colored yarn onto the sticks.

I learned how to make the “ofrendas” or offerings from a woman named Maria Elena. She was of Native Mexican Huichol ancestry and had the gift of being a “dream healer,” which meant she could enter into the dream world of a person and offer help and interpretation.  As a young child in Los Angeles, where her Mexican parents had immigrated, she occasionally found herself in that dream world, seemingly floating above her bed and having other unusual experiences.  Experiences that her parents did not want her to have, as they had immigrated to the U.S. to forge a new and hopefully more prosperous life.  So, they put her in parochial school to help her forget the old ways.  But Spirit will have its way, no matter where we are.

At school, Maria Elena made friends with a school maintenance man and together they went out to the desert and did prayer and ceremony, helping to further deepen her healing abilities. This secretive time in ceremony and prayer helped her make sense of her natural talents. Maria Elena said that if she had been living in her Huichol community in Mexico, the elders would have recognized her gift and taken her to be trained in the ways of their people.  Fortunately for me and many others, she did not lose that gift and indeed was willing to share her healing ways.

I thought of her now at Chaco and acknowledged the gift of her teaching.  As I sat in calm, silent gratitude a two-foot snake unexpectedly and quietly sl


id her way under my legs.  It was a total surprise, yet in another way it wasn’t, since I’ve had so many encounters like this in nature. I stopped working on the prayer stick as the snake stopped among the colored balls of yarn and feathers.  She looked up at me and blinked.  I winked back, neither of us expressing any trepidation. Chaco had always shared its mysteries and magic with me, and this was another one of those moments.

For some indigenous cultures, the snake is the most sacred of animals as she travels with her heartbeat so close to that of Mother Earth. In the system of Medicine Wheel earth astrology by Sun Bear and Wabun, my totem animal is the snake. Unlike many European concepts of the snake, in Native America this creature is revered for its power of transformation.  The shedding of skin is a powerful metaphor for our ability to transform our innermost being, bringing the lessons we learn in life into harmony. And the snake has something else special to teach–it is the only creature that travels through life with its heart in close contact with the earth.

I reflected on all of this as I bumped along the washboard dirt road from Chaco, thinking about the snake’s advice to experience the world willingly and without resistance.  Sun Bear and Wabun wrote, ” (the shedding of Snake’s skin)…is the knowledge that all things are equal in creation and that those things which might be experienced as poison can be eaten, ingested, integrated and transmuted if one has the proper state of mind…which can bring about a balance of passion, vitality, dreams, leadership, wisdom and resolution.”  That certainly would help in my job challenges, so I resolved to be more like the snake and stay close to the ground, listening to the messages of my heart and that of mother earth.

Gift from Canyon de Chelly: We Are All Family

White House Cliff Dwelling

It was early spring, April 1 2007 in Canyon de Chelly, Arizona and I walked down nearly a thousand feet of a switch back trail through 250 million years of breathtaking beauty. The red sandstone cliffs carved over millennia by forces of nature had been home to humans for over 1500 of those years, stretching back to Pueblo cliff dwellers and to the present day Dinè (Navajo) settlers.  Nearly 100 years ago on this same day, Canyon de Chelly was designated a National Monument. Many who come to this place do not know the tragedy and horror that was forced upon its people by the U.S. government led by Kit Carson.  It wasn’t until years later that I visited the museum near Ft. Sumner, New Mexico that I learned more fully about the shameful history in which not only Dinè but also Ndè (Mescalero Apache) people were forcibly removed from their traditional homelands to a lonely, inhospitable outpost, walking in brutal winter conditions for hundreds of miles.  (Visit this museum at )  It is a story of incredible hardship as well as resiliency and courage.

As I wound my way through the cliffs and crags, I was inspired to taste the sweet and bitter berries of the junipers that inhabit the area, their pungent flavor opening me a bit to other fragrances of the canyon: pungent pinon warming in the late afternoon sun, dry roots with twists like the weathered sandstone walls themselves and a subtle aroma of the earth.

On the way down, I encountered an elder Dinè woman, the deep lines in her face reflecting the ancient rock.  She was surrounded by a flock of young children who try to keep up with her steady and sure-footed pace.  No question that she was a part of this canyon and it a part of her.  I imagined that her destination was the hogan and fields far below on the canyon floor.  On they went and gradually I did too, eventually to a small stream at the bottom, finding a secluded spot away from other visitors.  Light through the cottonwood trees dappled the spring snowmelt water.  There were fresh green spring signs everywhere.

The poetry of Acoma Pueblo poet Simon Ortiz described my experience perfectly: (from “Canyon de Chelly” from A Good Journey, Turtle Island Press 1977).

Lie on your back on stone
the stone carved to fit
the shape of yourself.
Who made it like this,
knowing that I would be along
in a million years and look
at the sky being blue forever?

Time passed and the sun dipped down towards the western canyon wall.  Shadows lengthened and it was time to leave.  There were only a few of us left in the area, but I wanted to be the last one out.  As I made my solitary way back up the trail, a young Dinè couple effortlessly foot raced past me like a breeze.

Still, I lingered longer, hidden on a high ledge and above what I thought was the hogan of the elder I had seen earlier on the trail.  I wanted to give her and this place of beauty the gift of music with my flute, my way of saying thank you for being here.  I was giving up something, though, to do that.  Or so I thought.  My original intention was to be high up on the rim and play the flute to the rising full moon.  Offering this musical gift to the canyon on this lower ledge below, however, became the most important thing to do.

I walked to the edge of the ledge, played the flute, then returned to the trail to leave.  But before I left, I did something I learned to do years ago on another high desert place of beauty in New Mexico.

Loree Johnson Photography

As I stepped onto the trail and turned back to “return the gift,” an enormous full moon was rising on the eastern horizon in an opening between the canyon walls. Had I been there a little earlier or later–or had I been on the canyon rim–I would not have seen that spectacular sight.

Once atop the rim, I walked to the public viewpoint and discovered in a small pool of water on the cliff edge a reflection of the moon, now higher in the sky.  This called for cornmeal and another flute offering.  But before I could do so, far in the canyon below a chorus of coyotes began their own offering.  Next it was my turn with my flute.

The story came full circle eight years later in 2015 when I took another walk down the same canyon trail.  Huge winds and lightning struck the canyon and the bare sandstone walls became filled with waves and fountains of water, glassy and glistening. Trails became adobe super-slides.  Eventually the rain lessened and as I made my way back up, I encountered a friendly local man and several of his family. As we all rested a bit we engaged in conversation I felt moved to tell him about my experience playing the flute for the elder on my last visit.  Turned out this man was the nephew of the woman and her name was Marie.  She had just passed away that morning at 1 a.m. and now here I was, gathered with her family members on the trail above her beloved home.  Perhaps that made me an “honorary” relative.  In any case, to my way of thinking, we are all “relatives,” all family.

Canyon de Chelly for the First Time

Spider Rock by

May 15, 1992, Canyon de Chelly.  It was my first time to be at the foot of Spider Rock on the canyon floor at the confluence of incredible energies.I was here with friends Ernesto, Doug and Fred and Dinè (Navajo) guide Daniel Staley.


Grandmother Spider or Spider Woman is a sacred being that is part of the creation story for many Indigenous people in the American Southwest. (Note that there may not be qualified Indigenous sources for this website article.)  I had a special relationship with the spider that went back to my days in graduate school at the University of Denver in 1971 when I met and fed yogurt to a little spider who visited my basement apartment.  In my personal memoir, I have detailed magical encounters with spiders through the years, including a black widow who worked on her web in the shower stall every time I bathed at my home in Chupadero, north of Santa Fe, NM. For many years I have worn a watch band made by Hopi artist Ross Joseyesva with a spider design that includes what he called the “friendship symbol.” Ross sent me the watch band in the mail before I had paid for it, which I consider an act of friendship and trust, much like that little spider accepting my offering of yogurt before she traveled on.


Daniel shared that there are many versions of the creation story, but if there ever is only one, it will mean the end of the world!  Other cultural lessons from Daniel:

  • When gathering plants for use, always select from the east side.
  • Likewise, choose a fire poker stick from east side of plant. The stick when not used is placed on top of house to protect it from burning.
  • The Juniper tree has a beaded pattern from which the early people learned how to make baskets.   Juniper bark was once used for diaper like material and to line infant cradles.

Annie Kahn with a Young Friend

Dinè elder Annie Kahn had given me permission to bring folks to her home, so two days after the Canyon experience, my friends and I sat in her hogan as the full Wesak Moon set and sun rose. We were to record dreams for four nights, then put them away until the new moon, forgetting them until then and retrieving them to see what has transpired.  Annie was a wonderful teacher, healer and storyteller. She shared a dawn prayer song which I have sung daily ever since, no matter where I am:

Hozho Ashado

I walk in Beauty, just for you and only you.

I talk in Beauty, just for you and only you.                                    

I sing of Beauty, just for you and only you.

Annie Kahn Passes (2010)

Annie spoke of the “two spirits” or nadleehi and dilbaa persons born, respectively, as males or females–who U.S. general culture might call “gay.”  This was my “tribe” of people and they were once a family responsible for changes and transitions in life Annie said.  The relatives of this family contain elements of both worlds of up and down, night and day, male and female she added.  Annie used the phrase “twice blessed” to refer to us.

We were given some self-care homework to practice at home: Breathe in the sun four times with arms taking in the horizon, allowing it to grow and be alive.  Remember that there must always be a spirit line, a place of surprise and mystery in all of life and listen to the wind, allowing all our senses to be aware.  Dinè people share a story, she said, but not all of it; it is up to each individual to add from their own experience.  Above all, don’t stick to the normal, government inspected and approved path–explore, experiment, touch taste, smell, see hear for yourself.  Let go of shame she advised, and use the parts of yourself that have been forgotten.  Take in “the other” (you define that for yourself) with your left side and balance with the right.

On the day we left, we enjoyed a breakfast meal with tablecloth on the floor.  Cornmeal mush was served in a woven basket, its “spirit line” to the East.  We fed ourselves like children with our hands, not worrying about social etiquette, happily spilling some if we did, and at the same time feeding all other Beings.

Natural History Museum of Utah

Winking at a Snake in Chaco Canyon, New Mexico


I was on a solo journey to Chaco Canyon August 11, 2012, taking a favorite walk from the Great Kiva Rinconada to the mesa above the kiva and the ancient site of Tsin Kletzin.  The subterranean Great Kiva was once utilized for religious activities and ceremonies.  It had 39-foot passageways from the underground structure to above ground levels. Casa Rinconada is one of the many buildings in the Chaco area that have documented astronomical alignments.  Many know the Great Kiva for the archeoastronomy event that occurs on summer solstice. PBS video

On the walk all was silent save for the wind, whipping around me in a deafening roar. Suddenly I encountered two large deer, or possibly elk.  There were two farther on.  How they survived in this harsh environment could be a lesson to us all in this time of global climate disaster.  I felt blessed by their wild animal presence.  Back in camp, I sat in mottled shade of the nearby low growing cliff bushes and created prayer sticks for friends facing challenges as well offerings to my home.  Knees bent, “feet standing,” I silently wound colored yarn, feathers and other found objects into the sticks.

These “ofrendas” were a meditation practice given to me and others long ago at the LBGTQ Spirituality Gathering at Lama retreat center north of Taos, NM by Maria Elena.  Maria Elena was of Mexican Huichol ancestry and had the gift of being a “dream healer.”  She could enter into the dream world of a person and offer help and interpretation.  As a young child in Los Angeles where her Mexican parents had immigrated, she occasionally found herself in that dream world, seemingly floating above her bed and having other unusual experiences.  Experiences that her parents did not want her to have, as they had immigrated to the U.S. to forge a new and hopefully more prosperous life.  So, they put her in parochial school to help her forget the old ways.  But Spirit will have its way, no matter where we are.  At school, Maria Elena said made friends with an African American maintenance man and together they went out to the desert and did prayer and ceremony, helping to further deepen her healing abilities. This secretive time in ceremony and prayer helped her make sense of her natural talents. Maria Elena said that if she had been living in her Huichol community in Mexico, the elders would have recognized her gift and taken her to be trained in the ways of their people.  Fortunately for me and many others, she did not lose that gift and indeed was willing to share her healing ways.

cute <b>snake</b>&#39; Sticker | Spreadshirt

The ofrendas had also become a part of my healing and prayer practice.  As I sat there quietly making prayer sticks, slowly sliding out of the low bushes emerged a two-foot snake that just as quietly made her way under my legs, stopping briefly among the colored balls of yarn and feathers to give me a quick glance, then travel on her merry way.  For some indigenous cultures, the snake is the most sacred of animals as it travels with its heartbeat closed to that of Mother Earth.  I was both in awe and gratitude for this silent serpentine gift.

Earlier in the day driving into Chaco, the cell phone buzzed with a message from work at the public schools in Santa Fe.  As I listened, I recoiled and contracted, wanting to be as far from an increasingly difficult work situation as possible. But soon thereafter I heard this interiorized message:  “Say yes! to all that does not compromise you or your core values…keep your spirit shield firmly in place, beware delusional thinking, but do not contract in fear of change or letting go to new conditions or requirements or adaptations to the material world.”  Perhaps this was the message the snake was giving me in advance of our special encounter.

And all it took was a quick wink.

Chaco Canyon Calling! June 2023



The Flute at Sunrise–Chaco Canyon

JUNE 16-18, 2023
(Just a few spaces left–register soon!)
On the mesa at Chaco. You. Native American flute plays as birds sing the day awake. First rays of sunrise warmly greet you.
If you’ve been to Chaco Canyon New Mexico before, you most likely want to return.  If you’ve never been to this profound World Heritage site, this is your opportunity for a wonderful immersive experience.  Chaco is vast, silent and filled with the voices of the Ancestors in ancient Pueblo sites, rock art known as petroglyphs and phenomenal archeoastronomy reflected in its buildings.  Then there are the stars at night! 
In fact, this will be New Moon when the night sky will especially display her sparkling glory.  We will be in the Canyon close to Summer Solstice, when special features of the ancient buildings receive the first rays of light in a remarkable display of architecture and the natural world.
Cultural resource guide for  the group will be respected elder and artist Bea Duran of Tesuque Pueblo.  Bea considers Chaco to be ancestral heartland and homeland and her humor and goodwill radiates a warm welcome to all.

Bea Duran of Tesuque Pueblo

Prior to the two night camping trip, the group will meet  with Ehren Kee Natay, a local Indigenous multi-media artist and recognized member of the Dine Nation with Kewa Pueblo, Irish and German ancestry. Deeply connected to his ancestral traditions, Ehren will share his understanding of historical and contemporary Indigenous culture, dispelling myths along the way.
His creative work has shown internationally and can be found at two New Mexico Heritage Museums. His current work further infuses his musical craft in Native American flute and drumming with visual aesthetics via live-performance. In his words, “I have a prayer, a spirit, a breath that is inside me.  It tells me to create. It cannot be silenced.  It can only be quiet by creating.”  

It is this spirit and breath that can be found in Chaco Canyon. I hope you will join us in this journey of discovery.

Doug Conwell, Earth Walks

For more details, cost and registration information contact    There is limited space available so be in touch as soon as you can!

Diane Reyna of Taos Pueblo: Reflections on Covid & Other Matters

Interactive Online Earth Walks
Monday, June 28 2021 6 p.m.
Free or by Donation

Limited Enrollment

From anxiety and stress to inspiring courage and spiritual strength, Diane Reyna, Taos/Ohkay Owinge Pueblo artist, shares a series of drawings that reflect her thoughts on the events and situations that occurred during the COVID-19 lockdown last year.  With pen and paper, hope, faith, and love, Diane created the drawings between March 16, 2020 and March 16, 2021. The ink drawings embody her experience in all its dimensions, including the cultural traditions that helped her navigate the year. She will guide participants through a hands on activity that will offer an avenue for individual insight and possibilities for the future.

Due to the nature of this event, there will be a limited number of participants. Register as soon as possible by contacting:  There is no charge, but a donation is appreciated. Everyone is welcome!

Diane was raised at her father’s village of Taos Pueblo in Northern New Mexico; her mother was from the Pueblo of Ohkay Owingeh. She is an experienced facilitator, college instructor, and trainer. She retired from the Institute of American Indian Arts in 2015, where she provided comprehensive support and services to first year students. Prior to working at the Institute, she spent 20 years as a videographer, producer, and director in the field of video news and documentary production. She directed the PBS documentary, “Surviving Columbus”, which was awarded the George Foster Peabody in 1993. She has spent most of her adult life in engaged in the arts, education, and facilitation.

Watch Surviving Columbus online
Late one afternoon in May 1539, the world of the Indigenous Pueblo people changed forever when Estebanico – a Black slave from Morocco – and his 300 retinue of Mexican Indians marched into the Zuni city of Hawikuh. Through wild tales and exaggerations, Hawikuh would be transformed into one of the fabled Seven Golden Cities of Cibola, and a year later, Coronado and his soldiers would wreak destruction and violence on this peaceful world in search of non existent gold. Surviving Columbus is a search for the Pueblo people’s view of these first encounters with European civilization, told exclusively through the voices and visions of the Pueblo people themselves..
Due to the nature of this event, there will be a limited number of participants. Register as soon as possible by contacting:  There is no charge, but a donation is appreciated. Everyone is welcome!

Cultivating a Garden of Peace and Justice

Beata Tsosie-Pena.jpg

Free online event Thursday, May 20, 2021  5 p.m.

How do a people who have endured generations of oppression survive?  It’s a question Beata Tsosie-Pena of Santa Clara Pueblo and El Rito is often asked.

Historical trauma and inequities and living in the shadow of a nuclear production facility motivated Beata to work in environmental health and justice with the non-profit Tewa Women United program for over a decade.

“These the are things our people have faced. But that doesn’t negate our strength and power,” Beata said.  “We are resilient.”  Her activist concerns led her to become a full-spectrum doula and breastfeeding support counselor as well as infant massage specialist. Even her poetry reflects a deep commitment to the land and its people and is evidenced in the Healing Foods Oasis Garden which she coordinates.  The Garden is a project of TWU and the City of Espanola.

Resiliency—that’s at the heart of the many stories that are lived and shared at the Garden.  On Thursday, May 20 at 5 p.m., Beata will conduct a free public online storytelling and dialogue which will highlight the collaboration between art, science and indigenous wisdom.  It’s a collaboration that offers a model of sustainability critical in this Anthropocene era of climate change, she believes.

(To register, contact:                     New Mexico's Community Garden Revolution

The Garden is both a symbol of the traditional Tewa Pueblo values of place and the teachings of water and a grassroots act of prayer, ceremony, song—as well as resistance and survival.  “It’s about building the beloved community,” she says.  For her, that community is both local and global.

Heirloom seeds hand-harvested at the Garden are donated to the Espanola Public Library next door and available to the public. Seeds are kept in a refurbished card catalog cabinet. After picking which types to grow, patrons fill out a “seed caregiver sign-up” form and become part of a growing cadre of those planting and caring for heirloom plants.

Children participating are taught how to use the library and learn about local farming practices.  It’s ecological literacy, what Beata calls “voices of the plant elders and relatives.”

The online presentation will be followed by a series of volunteer days at the garden for those who wish to help.

The event is being sponsored by Earth Walks, a cross cultural education program based in Santa Fe, New Mexico, original homeland of the Tewa Pueblo indigenous people.   To register, contact

                                     Environmental Health and Justice Program | Tewa Women United


Chaco Canyon, New Mexico Archaeoastonomy

(Join the Earth Walks program in a three day journey to Chaco Canyon October 6-8, 2018 camping under the stars, guided by a New Mexico Pueblo family who consider the site as their ancestral homeland.  For information on cost and registration: )

Pueblo Bonito Kiva and Complex at Chaco

At an elevation of 6,200 feet, Chaco is a high desert, sun-scorched in the summer and bitterly cold in the winter. Despite these harsh conditions, evidence of human presence in the area stretches back to as early as 2900 BC. These groups were largely nomadic, until around AD 200, when the first farmers settled in the area and built small pit houses.

Then in roughly AD 850, a great change took place. The people began building in a radically different manner, constructing massive stone buildings unlike any that had been built before. These structures soared to four or five stories and contained up to seven hundred rooms and dozens of mostly circular underground ceremonial rooms.

The architecture was a feat of engineering, often built along celestial alignments, they included water-collection systems and were linked to outlying communities by an extensive network of roads. These elaborate buildings evidence a sophisticated and highly organized culture, with Chaco Canyon at its center.

Full moon over the Canyon

The people of Chaco demonstrated extraordinary observations of astronomical phenomena which they incorporated into their buildings by designing, orienting and locating their major buildings in relationship to solar and lunar events.  This required advanced architectural and design skills, scientific observation and social cohesion.  Some think the civilization that flourished here parallels that of Aztec, Mayan and Inca cultures.

Earth Walks to Jemez Pueblo May 31-June 3, 2018


“Tending the Garden”

Fields and Lands of Jemez Pueblo

As one seasonal cycle ends, another begins. Join Earth Walks for this exceptional opportunity to experience the time honored traditions of Jemez Pueblo and Bodhi Manda Zen Center. Both foster a vision of culture and life that nourishes body, mind and spirit.

Learning through service, Earth Walks will join hands and hearts with Flower Hill Institute in their fields at Jemez Pueblo and in the nearby Bodhi Manda Zen Center community garden to help prepare and plant for the summer crops. There will be a way for everyone to participate, regardless of physical ability or age. Pueblo elders and community members will guide us in their ancient traditions and Abbess Hosen will offer the contemplative Zen Buddhism experience. Children from the Pueblo will perform a Butterfly Dance to encourage pollination of the newly planted gardens.

Remarkable dialogues, laughter and sharing meals of food from the garden will accompany time alone for quiet reflection and enjoyable soaks in the hot springs at BMZC alongside the Jemez River. Bring instruments for music making and your favorite memories for storytelling!

Lodging: Dormitory style. Limited number of private rooms available for additional cost on first come basis. Delicious vegetarian home cooked meals.

Registration: $375 Includes: Nine meals from Thursday dinner through Sunday lunch. Lodging, dormitory style (additional cost for single room, limited availability). Access to hot springs pools. Honorarium to Pueblo elder. Workshop materials. Optional: instruction and participation in meditation practice. Transportation by carpooling or on own.

For information/registration:

Flower Hill Institute:  Flower Hill is a native-owned, community-directed nonprofit. Its objectives include preserving and enhancing cultural resources, preparing youth to inherit leadership, improving economic self-sufficiency, organizing inter-tribal movements, and improving climate change resiliency through experimental farming, seed banking and youth science camps.  Flower Hill organized an effort by the All Indian Pueblo Council of Governors to publish a response to the encroachment of oil and gas development into the area surrounding Chaco Canyon National Historic Park, an area of utmost cultural importance to the Pueblos.

Bodhi Manda Zen Center: The philosophy in the Bodhi garden recognizes and supports interdependent roles played by a range of organisms in a natural environment. Modern tools used employ practices that hearkens back to indigenous peoples throughout the world. Fresh healthy vegetables from the garden are shared at mealtime to honor all those who help provide sustenance for the health of our bodies and minds and support Buddhist practices of mindfulness and compassion for all beings.Visitors may enjoy the hot springs on site adjacent to the Jemez River.
Roger Fragua, Flower                                          Abbess Hosen, Bodhi
Hill Institute Director                                            Manda Zen Center

 Greenhouse seedlings at Bodhi–         Preparing plant seedings for fields            
       Diggin’ it at the community garden                   Hot Springs at Bodhi 
                                                       Clearing the fields                                                                                                                                                               
                                      Doug Conwell, Earth Walks Director
                                                       Come Join Us!